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Chapters (35)
  1. PART ONE SCHOOL
  2. EXAMINATION
  3. THE TRIP
  4. INFECTION
  5. SWEETS
  6. PART TWO THE MANOR
  7. LESSONS
  8. LIVIA
  9. SPARRING
  10. LABORATORY
  11. PART THREE COMMONERS
  12. IN THE WOODS
  13. IN DARKNESS
  14. LIZZY
  15. THE LIBERAL
  16. CAESAR
  17. QUESTIONS AND ANSWERS
  18. HEADMASTER
  19. PART FOUR ANGEL
  20. THE COUNTRY AND THE CITY
  21. FARMER
  22. BONE MUSIC
  23. DELIVERY
  24. CAPTAIN
  25. SCAR TISSUE
  26. PENCIL AND PAPER
  27. CAESAR
  28. PART FIVE ABOVE AND BELOW
  29. DEMONS
  30. FACTORY
  31. FUSE
  32. BAPTISM
  33. PART SIX CLOUD
  34. ACKNOWLEDGMENTS
  35. ABOUT THE AUTHOR

Thomas counts them down and they each place it on their tongues, like sugar lumps, gently pressing it against the roof of their mouths waiting for it to melt. It takes a while for the taste to spread. Lemon and the sharp herbal notes of Chlorodyne. The sweet dissolves very slowly, one has to suck on it, chew it, wear it out with one’s tongue. Charlie is waiting for something, a tingling, a giddiness, some sensation of change: a surge of strength, a sudden sleepiness, the elation of alcohol. But nothing happens, nothing at all. A look at Thomas tells him it is the same for his friend. At long last they swallow the final few shards. All that remains of the sweet is a medicinal flavour clinging to their gums, like they have just cleaned their teeth.

They both sit in silence, feeling crushed.

“So what does that mean?” Charlie asks when he can no longer bear it.

“It means,” Thomas says, “that we don’t understand anything. Not a thing.”

The spider above them quivers when they rise, in imitation of life.

SWINBURNE

The boy asks me after vespers: name of Kreuzer, Martin Herman. First year upper school. A German. Naturalised, I suppose, the whole family, for generations.

But still.

“Sir,” he asks, nervous, perhaps on a dare. “What is theatre?”

He does not smoke when he says it, so he thinks the question must be safe. I make him kneel in the pew. Sore knees. Good for the soul. He’s been reading Mr. William Shakespeare, he admits after some probing. A book of plays. Where does he have it from? This he is not supposed to say.

His crying is unbecoming.

I bring all this to Trout. His brother gave the book to him: Kreuzer, Leopold Michael, five years the elder. I remember him well. Daft little shite. Wouldn’t have thought him capable of something quite so monstrous.

“There has to be a letter,” I say. “An investigation.”

Trout won’t have it. Soft, he is, or else adaptable. Changing times: turning with how the wind blows.

“Confiscate the book,” he says, “and let it rest.”

Let it rest indeed. He didn’t hear the boy: “Please, sir. I don’t understand. Why is it forbidden?” Snot on his lip from all the crying, sitting there like a wet moustache.