Back Smoke and Shadows Save as PDF

Lee’s mother was a very nice woman. She’d been to the studio a couple of times.

Tony suddenly realized that Lee was waiting for him to reply to something he’d totally missed hearing. “What?”

“I said, thank you for carrying my helmet. I’ll see you on set.”

“Right. Yeah. Uh, you’re welcome.” And the dressing room door closed, the scuffed paint less than a centimeter from his nose.

Tony had no memory of leaving the production office.

He walked back to the sound stage; his shadow lingered outside Lee’s door.

011

“Hey, Tony, you up for some second unit work tonight?”

Marshmallow strawberry halfway to his mouth, Tony turned to see Amy approaching the craft services table waving a set of sides—the night’s schedule reduced to pocket size. “Out on Lakefield?”

“That’s the one. Arra’s going to blow the beemer. You’ll pick up a little overtime and get to watch a symbol of bourgeois excess take a hit. Hard to beat.”

“Bourgeois excess?” He snorted and chewed. “Who talks like that?”

“Obviously, me. And if you’re going to give me a hard time, I’ll call in another PA to do it.”

Tony waited. Picked a marshmallow banana out of the bowl.

“Okay, Pam asked for you and CB wouldn’t let me call in even if she hadn’t. Happy?” She shoved the cut sheets up against his chest. “Trucks are there at eleven, shoot by midnight, gone by one and if you believe that, I’ve got some waterfront land going cheap.”

012

“He led his city through the darkest night toward the dawn.”

Heart slamming against his ribs, Tony jumped forward and spun around, managing to accomplish both movements more or less simultaneously and still stay on his feet. He scowled at the shadowy figure just barely visible at the edge of the streetlight’s circle, knowing that every nuance of his expression could be clearly seen. “Fuck, Henry! You just don’t sneak up on a guy and purr bad cutlines into his ear!”

“Sorry.” Henry stepped into the light, red-gold hair gleaming, full lips curved up into a smile.

Tony knew that smile. It was the one that went along with It’s fun to be a vampire! Which was not only a much better cutline than the one plastered all over the Darkest Night promo package, it was indicative of an almost playful mood—playful as it referred to an undead creature of the night. “Where did you park?”

“Don’t worry; I’m well out of the way.”

“Cops give you any hassle?”

The smile changed slightly and Henry shoved his hands into the pockets of his oiled-canvas trenchcoat. “Do they ever?”

Tony glanced down the road to where a pair of constables from the Burnaby RCMP detachment stood beside their cruiser. “You didn’t, you know, vamp them?”

“Do I ever?”

“Sometimes.”

“Not this time.”

“Good. Because they’re already a little jumpy.” He nodded toward the trucks and, when Henry fell into step beside him, wet dry lips and added, “Everyone’s a little jumpy.”