The dressing rooms were just past makeup which was just past the bathrooms. Tony figured he’d check them first in case Lee’d arrived while he was on the set. As he passed the women’s washroom, he reattached a corner of the frayed sign covering the top half of the door and made a mental note to remind the art department they needed a new one. The sign should have read, “DON’T FLUSH WHILE RED LIGHT IS ON—CAMERAS ARE ROLLING” but had been adapted to read, “DON’T FUCK WHILE RED LIGHT IS ON.” Fucking was not actually a problem, but air in the pipes made them bang while flushing and the sound mixer had threatened to strangle the next person who ruined her levels.

He stuck his head into makeup, covering all the bases.

“Lee?” Thumb stroking the graying line of his thin mustache, Everett blinked myopically at Tony from behind his glasses. “I haven’t seen him, but I’m almost positive I heard him out in the office. Don’t quote me on that, though.”

Someday, when he had the time, Tony was going to find out just when Everett had been misquoted and about what.

Lee’s dressing room was empty, shadows fleeing as Tony flicked on the lights. He frowned past his reflection in the mirror. Were the shadows pooling in the corners? Lingering past the time the overhead lights should have banished them? But when he turned . . . nothing. Lee’s wardrobe for the day had been laid out on the end of the couch, his Gameboy left on the chipped garage sale coffee table, two cushions tossed on the floor . . . but nothing looked out of place. Any strangeness could be explained by a bulb missing from the track lighting.

Chatter over his radio suggested the camera crew had gotten involved in the lighting debate and that problem of shadows marring Raymond Dark’s youthful yet patrician features was unlikely to be resolved any time soon.

Four phones were ringing as he opened the door to the production office, the usual chaos cranked up a notch by their current lack of an office PA. He’d been sent out for coffee a week ago and no one had seen him since; his resignation had been written succinctly on a Starbucks napkin and stuffed through the mail slot late one night.

“. . . understand why it might be a problem, but we really need that street permit. Uh-huh.” Rachel Chou, the office manager, beckoned him toward her desk. “Tell you what; I’ll let you talk to our locations guy. No, we totally understand where you’re coming from here. Hang on.” She hit hold and held the receiver out toward Tony. “Just listen to her, that’s all she really wants and I don’t have the time. If she asks you if it has to be that street at that time, say yes. You’re very sorry but you can’t change anything. I doubt she’ll let you get a word in edgewise, but if she does, be charming.”