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Chapters (10)
  1. Cover
  2. About the Author
  3. Silly Novels by Lady Novelists
  4. Silly Novels by Lady Novelists
  5. Woman in France: Madame de Sablé
  6. Geraldine Jewsbury’s Constance Herbert
  7. Margaret Fuller and Mary Wollstonecraft
  8. Harriet Beecher Stowe’s Dred, Charles Reade’s It is Never Too Late to Mend and Frederika Bremer’s Hertha
  9. Translations and Translators
  10. Footnotes

‘Oh, I am so happy, dear gran’mamma; – I have seen, – I have seen such a delightful person: he is like everything beautiful, – like the smell of sweet flowers, and the view from Ben Lomond; – or no, better than that – he is like what I think of and see when I am very, very happy; and he is really like mamma, too, when she sings; and his forehead is like that distant sea,’ she continued, pointing to the blue Mediterranean; ‘there seems no end – no end; or like the clusters of stars I like best to look at on a warm fine night … Don’t look so … your forehead is like Loch Lomond, when the wind is blowing and the sun is gone in; I like the sunshine best when the lake is smooth … So now – I like it better than ever … it is more beautiful still from the dark cloud that has gone over it, when the sun suddenly lights up all the colours of the forests and shining purple rocks, and it is all reflected in the waters below.’

We are not surprised to learn that the mother of this infant phenomenon, who exhibits symptoms so alarmingly like those of adolescence repressed by gin, is herself a phœnix. We are assured, again and again, that she had a remarkably original mind, that she was a genius, and ‘conscious of her originality’, and she was fortunate enough to have a lover who was also a genius, and a man of ‘most original mind’.

This lover, we read, though ‘wonderfully similar’ to her ‘in powers and capacity’, was ‘infinitely superior to her in faith and development’, and she saw in him the ‘ “Agape” – so rare to find – of which she had read and admired the meaning in her Greek Testament; having, from her great facility in learning languages, read the Scriptures in their original tongues.’ Of course! Greek and Hebrew are mere play to a heroine; Sanscrit is no more than a b c to her; and she can talk with perfect correctness in any language except English. She is a polking polyglot, a Creuzer in crinoline. Poor men! There are so few of you who know even Hebrew; you think it something to boast of if, like Bolingbroke, you only ‘understand that sort of learning, and what is writ about it’; and you are perhaps adoring women who can think slightingly of you in all the Semitic languages successively. But, then, as we are almost invariably told, that a heroine has a ‘beautifully small head’, and as her intellect has probably been early invigorated by an attention to costume and deportment, we may conclude that she can pick up the Oriental tongues, to say nothing of their dialects, with the same aërial facility that the butterfly sips nectar. Besides, there can be no difficulty in conceiving the depth of the heroine’s erudition, when that of the authoress is so evident.