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Contents (38)
  1. Shift
  2. Acknowledgements
  3. One
  4. Two
  5. Three
  6. Four
  7. Five
  8. Six
  9. Seven
  10. Eight
  11. Nine
  12. Ten
  13. Eleven
  14. Twelve
  15. Thirteen
  16. Fourteen
  17. Fifteen
  18. Sixteen
  19. Seventeen
  20. Eighteen
  21. Nineteen
  22. Twenty
  23. Twenty-One
  24. Twenty-Two
  25. Twenty-Three
  26. Twenty-Four
  27. Twenty-Five
  28. Twenty-Six
  29. Twenty-Seven
  30. Twenty-Eight
  31. Twenty-Nine
  32. Thirty
  33. Thirty-One
  34. Thirty-Two
  35. There are only eight breeding female werecats left. And I’m one of them.
  36. The claws are out!
  37. Pride comes before a fall…
  38. “The fight was about to get unbelievably, irreversibly bad”

Our hallway wrapped around three sides of the building, and the two floors above were the same; we could see identical third- and fourth-floor railings across the large opening. The front of the building was a series of small glass panes built into the wall, forming a huge grid of windows. The effect was a stunning, patchwork view of a wooded mountainside. And at the bottom, near the center, stood a single door—the only entrance or exit we’d seen.

Kaci gasped, and I glanced down, then followed her gaze up. Way up.

Then I gasped, too.

The building was cavernous and could easily have fit at least three more floors, although none existed beyond the fourth. Instead, the empty space was crisscrossed with exposed beams, and ledges, and nooks, most occupied by one or more thunderbirds. Those on the beams were mostly in avian form, perched like blackbirds on a wire, while those resting on small nests of pillows and blankets on the many ledges looked more human. Some even held old, worn copies of books whose titles I couldn’t quite make out.

It was like nothing I’d ever seen. This wasn’t just a nest. It was a true aviary.

Brynn made an impatient noise at the back of her throat, and I forced my attention from the spectacle overhead and nudged Kaci. Then we followed her down an open flight of stairs to the huge room below.

Like the levels above, the first floor was surrounded on three sides by a series of doors, though they were farther apart on the ground floor. I was guessing the first-story rooms were the Flight’s common areas, like the kitchen, dining room, and maybe more living areas.

As we crossed through the center of the open area, I glanced through several of the open doors. Most were sparse bedrooms, a bit larger than the one we’d woken in. But the doorway to one corner room revealed a large, bright space full of old-fashioned toys—most of the handmade doll and wooden block variety—and the distinctive flickering light of a television.

We’d found the source of the Looney Tunes. And based on the scratchy, low-quality sound, I was guessing they had only worn VCR tapes, rather than DVDs.

My steps slowed as my curiosity grew, and as I walked, I saw more of the room. And its occupants. At a glance, I counted half a dozen small children, none yet old enough to attend school.

But age wasn’t the only thing keeping these kids out of the human educational system.

As I watched, a naked boy of maybe four years—the biggest in the room—shoved one chubby fist through a tower of brightly painted wooden blocks. The small girl who’d been stacking them—also nude, but for a cloth diaper—scowled so menacingly I half expected her to burst into flames.

Instead, she burst into feathers.

In a single, smooth motion almost too fast for me to understand, her arms lengthened and sprouted feathers. Her short hair receded into her head, and her naked scalp began to toughen, flush, and wrinkle, like the head of a vulture. Her thin legs withered until her calves were little more than sturdy sticks ending in tiny, sharp talons. And her hands curled into petite but obviously lethal wing-claws.