Contents ( 98)
- ShadowPlay
- TAD WILLIAMS
- ShadowPlay
- Acknowledgements
- Author’s Note
- Contents
- Prelude
- PART ONE
- MASKS
- 1
- Exiles
- 2
- Drowning
- 3
- Night Noises
- 4
- The Hada-d’in-Mozan
- 5
- At Liberty
- 6
- Skurn
- 7
- Chasing the Jackals
- 8
- An Unremarkable Man
- 9
- In Lonely Deeps
- 10
- Crooked and his Great-Grandmother
- 11
- A Little Hard Work
- 12
- Two Yisti Knives
- 13
- Messages
- 14
- Hunted
- PART TWO
- MUMMERS
- 15
- The Boy in the Mirror
- 16
- Night Fires
- 17
- Bastard Gods
- 18
- Questions with No Answers
- 19
- Voices in the Forest
- 20
- A Piece of the Moon’s House
- 21
- The Deathwatch Chamber
- 22
- A Meeting of the Guild
- 23
- The Dreams of Gods
- 24
- Three Brothers
- PART THREE
- MACHINES
- 25
- The Gray Man
- 26
- Rising Wind
- 27
- The Players
- 28
- Secrets of the Black Earth
- 29
- Bells
- 30
- The Tanglewife
- 31
- The Dark-Eyed Girl
- 32
- Remembering Simmikin
- 33
- The Crocodile’s Roar
- 34
- Through Immon’s Gate
- 35
- Blessings
- 36
- The False Woman
- 37
- Silence
- 38
- Beneath the Burning Eye
- 39
- City of the Red Sun
- 40
- Offered to Nushash
- 41
- Kinswoman to Death
- 42
- The Raven’s Friend
- Appendix
“I have been thinking,” said Teodoros, “that we will be in Tessis in less than a tennight, and if we are to impress the Syannese in that venerable capitol, we will have to show them something new. They have enough players of their own, after all, and the audiences are a hardened lot. Tessis has more theaters east of the river than exist in all the north of Eion put together. So we must bring them a spectacle.”
“My Karal is spectacle enough,” growled Hewney. “Even Makewell cannot help but make a royal impression in it.”
“Never have a drunkard’s words had such fair speaking before,” Makewell said. “I refer to my playing of Hewney’s work, of course. But he is right—the Tessians love The Death of Karal, since it is their own beloved king whose life we play. And we have other historicals and a comedy that we can give them.”
“Yes, they loved Karal when we brought it to them four years ago,” Teodoros agreed. “And it has remained in good enough favor that several Tessian companies have mounted it, too. But that does not mean the groundlings will come to see it again.”
“Even with the playwright himself upon the stage?” Hewney was so outraged that he spilled some of his ale on his sleeve, which he then lifted to his mouth and sucked dry.
“What are you saying, Finn?” Estir Makewell demanded. “That we must buy some Tessian court play, some bit of froth done up for the Revels? We cannot afford it. We shall barely be able to feed ourselves until we get to Tessis, even with the money we had from…” She trailed off as Teodoros gave her a harsh look.
“Less speaking, more listening,” he growled. Something had just happened, although Briony could not recognize what it was. “A loose tongue is an unbecoming ornament to anyone, but especially to a woman. I do not speak of buying anything. I have written a play—you have all heard it. Zoria, Tragedy of a Virgin Goddess is its name.”
“Heard it?” Makewell put his hand on Feival Ulosian’s knee, but the boy removed it. “We have rehearsed it for most of a year, and even performed it a few times in Silverside. What is new about that?”
“If nothing else, it would be new to the Tessians,” Teodoros said with an air of great patience. “But I have changed it—rewritten much of the play. Also, I have made a larger part for you, Pedder, as great Perin, and for you, Hewney, as the fearsome dark god Zmeos, despoiler of a thousand maidenheads.” He smiled. “I know it will test you to play so against your own character, but I feel certain you will give it your best.”
“Sounds like rubbish,” said Hewney. “But if it’s good rubbish, it won’t chap me to mount it in Tessis.”
“And I suppose you feel certain that I will let you clap a hundredweight of new speeches on me as the beleaguered virgin?” said young Feival. “I won’t have it, Finn. Already I have twice the lines of anyone.”