Contents ( 98)
- ShadowPlay
- TAD WILLIAMS
- ShadowPlay
- Acknowledgements
- Author’s Note
- Contents
- Prelude
- PART ONE
- MASKS
- 1
- Exiles
- 2
- Drowning
- 3
- Night Noises
- 4
- The Hada-d’in-Mozan
- 5
- At Liberty
- 6
- Skurn
- 7
- Chasing the Jackals
- 8
- An Unremarkable Man
- 9
- In Lonely Deeps
- 10
- Crooked and his Great-Grandmother
- 11
- A Little Hard Work
- 12
- Two Yisti Knives
- 13
- Messages
- 14
- Hunted
- PART TWO
- MUMMERS
- 15
- The Boy in the Mirror
- 16
- Night Fires
- 17
- Bastard Gods
- 18
- Questions with No Answers
- 19
- Voices in the Forest
- 20
- A Piece of the Moon’s House
- 21
- The Deathwatch Chamber
- 22
- A Meeting of the Guild
- 23
- The Dreams of Gods
- 24
- Three Brothers
- PART THREE
- MACHINES
- 25
- The Gray Man
- 26
- Rising Wind
- 27
- The Players
- 28
- Secrets of the Black Earth
- 29
- Bells
- 30
- The Tanglewife
- 31
- The Dark-Eyed Girl
- 32
- Remembering Simmikin
- 33
- The Crocodile’s Roar
- 34
- Through Immon’s Gate
- 35
- Blessings
- 36
- The False Woman
- 37
- Silence
- 38
- Beneath the Burning Eye
- 39
- City of the Red Sun
- 40
- Offered to Nushash
- 41
- Kinswoman to Death
- 42
- The Raven’s Friend
- Appendix
The Keepers of the Autarch’s Raptors
The Master of the Sarcophagus of Vushum
The Chiefs of the Brewers of Ash-hanan at Khexi
The Eyes of the Blessed Autarch of Upper Xand
The Eyes of the Blessed Autarch of Lower Xand
The Oracle of the Whispers of Surigali
The Master of the Sacred Bees of Nushash
The Scribe of the Tablet of Destinies
The Wardens of the Gates of the Ocean
The Supplicators of the Waves of Apisur
The Wardens of the Royal Canals
The Keeper of the Sacred Monkeys of Nobu
The Sacred Slave of the Great Tent
The Master of the Seclusion of Nissara
The Chief of Royal Herds and Flocks
The Master of the Granaries of Zishinah
The Priests of the Coming-Forth of Zoaz
The Guardians of the Whip that Scourges Pah-Inu
The Wardens of the Digging-Stick of Ukamon
The Priests of the Great Staff of Hernigal
There were other priests, too, many more: Panhyssir, high priest of Nushash and the most powerful religious figure in the land next to the autarch himself, along with priests of Habbili and priests of Sawamat (the great goddess who, truth be told, had far more priestesses than priests, but whose female servants, like the priestesses of the Hive, were subordinated to their male masters and had only a token presence)—priests of every god and goddess who ever lived, it seemed, and of a few that may have existed only in the tales of other deities.
And as many court functionaries crowded the chamber as priests, the Favored of the palace and the whole men of the autarch’s army and navy, stable masters and kitchen masters, the clerks of records and the scribes of all the granaries and butteries and storehouses of the gigantic Orchard Palace, not to mention the ambassadors of every tame country that now danced to the autarch’s tune: Tuan, Mihan, Zan-Kartuum, Zan-Ahmia, Marash, Sania, and Iyar, even a few abashed envoys from the northern continent, representing captive Ulos, Akaris, and Torvio. There were islanders from distant Hakka wearing their skirts of palm fronds, and chieftains of the desert herders, camel masters and sneeringly proud horsemen of the red desert, from whom the autarch’s own family had sprung, but who had the sense now to bend their knees beside everyone else. (To be master of the desert and kin to the autarch himself might be a matter of pride, but too much pride in the presence of the Golden One was foolishness; the few fools bred by the sands did not usually live to adulthood.)
Sulepis himself, the Master of the Great Tent, the Golden One, the God-on-Earth, stood before this assembly like the sun in the sky, clad only in a spotless white loin cloth, his arms raised as though he were about to speak. He said nothing, however, but only stood as the Slaves of the Royal Armor, under the direction of the high official known as the Master of the Armor—a position reserved for the closest thing to a friend the autarch had, a plump young man named Muziren Chah, eldest son of a middling noble family; Muziren had shared a wet nurse with the infant Sulepis but had no royal blood himself. Under Muziren’s silent (but still obviously anxious) direction, the Slaves of the Royal Armor clothed the autarch first in billowing pants and blouse of red silk embroidered with the Bishakh falcon, then pulled on the monarch’s boots and belt and emblems of office, the amulet and the great necklace, both made of gold and fire opal. Then they began to draw on his golden armor, first the breastplate and kilt of delicate, tough chain, then the rest, finishing with his gauntlets. They draped his great black cape on which the spread wings of the falcon had been stitched in golden wire, and then lowered the flame-pointed Battle Crown onto his head.