Contents (26)
- Seven Surrenders
- Persons APPEARING IN THIS HISTORY
- CHAPTER THE FIRST
- CHAPTER THE SECOND
- CHAPTER THE THIRD
- CHAPTER THE FOURTH
- CHAPTER THE FIFTH
- CHAPTER THE SIXTH
- CHAPTER THE SEVENTH
- CHAPTER THE EIGHTH
- CHAPTER THE NINTH
- CHAPTER THE TENTH
- CHAPTER THE ELEVENTH
- CHAPTER THE TWELFTH
- CHAPTER THE THIRTEENTH
- CHAPTER THE FOURTEENTH
- CHAPTER THE FIFTEENTH
- CHAPTER THE SIXTEENTH
- CHAPTER THE SEVENTEENTH
- CHAPTER THE EIGHTEENTH
- CHAPTER THE NINETEENTH
- CHAPTER THE TWENTIETH
- CHAPTER THE TWENTY-FIRST
- CHAPTER THE TWENTY-SECOND
- AUTHOR’S Note AND Acknowledgments
CHAPTER THE SECOND
Sniper’s Chapter
RESTRICTION: THIS SECTION MUST BE EXCISED BEFORE THIS DOCUMENT MAY BE PUBLISHED OR DISTRIBUTED. PRIVATE ACCESS MAY BE GRANTED BY JUDICIAL ORDER.
RESTRICTION ORDERED BY: The Conclave of Sensayers of the Universal Free Alliance.
REASON: Libelous attribution of criminal acts to a licensed sensayer.
RESTRICTION ORDERED BY: Cousins’ Legal Commission.
REASON: Potential harm to the public peace, potential harm to minors herein discussed.
RESTRICTION ORDERED BY: Ordo Quiritum Imperatorisque Masonicorum.
REASON: Instigation of violence against a Familiaris Regni.
RESTRICTION ORDERED BY: Universal Free Alliance Commissioner General Ektor Carlyle Papadelias.
REASON: Strong evidence that substantial parts of this document are an alteration or forgery with destructive intent.
DURATION OF RESTRICTION: Five years, renewable pending review.
* * *
Howdy, fans and foes! This is your very own Sniper. First, let me assure you that I’m alive and well. The fugitive lifestyle suits me fine, my wounds are healed, I have plenty of allies, and I will kill Jehovah Mason for you, that I swear, today, tomorrow, a year from now, however long it takes. They can’t guard the little prince forever. Tyrants and assassins have a great symbiosis. Assassins are always evil and despised (even when our effects are good, we’re still a bad means to a good end) until tyrants crop up. Then suddenly assassins are heroes, lifelines; suddenly we alone have the power to save the world without a revolution and the destruction revolutions bring. You admit you need us. But, between tyrants, you forget that assassins will only be here, ready, when you want us if we’ve been here, ready, the whole time. You feel dirty keeping such a weapon in the house, but somebody has to keep one or it won’t be there when the bad wolf comes to huff and puff. My office is no less a pillar of this age than Censor or Anonymous. I serve with no less pride.
Second, I should say I’m only writing this one chapter, and Mycroft will take over again when I’ve had my say. Mycroft went to great lengths to contact me so I could describe this event, which did come next in sequence. I agreed to relate it only on condition that they promise not to touch a word of what I wrote. It’s a privilege I intend to abuse to the utmost, and I’ll have my say about Jehovah Mason before I’m done. But I’ll start first with the part that will make your usual narrator squirm the most: correcting their willful omission and giving you a proper physical description of Mycroft Canner.
Mycroft is average height, shorter because they stoop, and swimming in their oversized uniform, like a statue wrapped in sacking, waiting to be restored. Their hair is curly in that classical Greek way, off-black, closer to a grayish tint than brown, and overgrown around the sides and forehead, as if they imagine so marvelous a creature could hide itself beneath a few stray locks. Modern science has kept their face as fresh at thirty-one as it was at seventeen, when all it took was a glance from Mycroft Canner to make the strongest shudder, but now those devil eyes lock tamely on the floor. They’re brown eyes if you get a look at them, bright brown and antique feeling, like the brown tint which makes old wine richer than new. There’s a scarring on their upper lip where violence has split it once too often, which gives a sense of hidden fangs. But the real prize comes when you strip away their uniform and bare the skin beneath, a tapestry of scars, all shapes, all vintages: the crumpled edges of old cuts and bites, the roughness of burns, strap-sores around the wrists and ankles, the ley lines of surgery, bullet holes round like little kisses, all layered on top of one another like a graffiti wall which tempts you to add your own mark. There’s a story behind every scar, and I’ve spent many lucky hours tracing that skin and asking about each; Mycroft answers about one-third of the time.