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Chapters (49)
  1. Cover
  2. Title Page
  3. Copyright
  4. Chapter 1 - New York City 2008
  5. Chapter 2 - New York City 2008
  6. Chapter 3 - New York City 2008
  7. Chapter 4 - New York City 2008
  8. Chapter 5 - New York City 2008
  9. Chapter 6 - Connecticut 2008
  10. Chapter 7 - New Haven Connecticut 1936
  11. Chapter 8 - New Haven 2008
  12. Chapter 9 - New Haven 1943
  13. Chapter 10 - New Haven 1943
  14. Chapter 11 - New Haven 1943
  15. Chapter 12 - New Haven 2008
  16. Chapter 13 - New Haven 1943
  17. Chapter 14 - New Haven 2008
  18. Chapter 15 - New York 2008
  19. Chapter 16 - New York 1957
  20. Chapter 17 - New York 2008
  21. Chapter 18 - New York 1962
  22. Chapter 19 - New York 1962
  23. Chapter 20 - New York City 1962
  24. Chapter 21 - New York 2008
  25. Chapter 22 - New York 1962
  26. Chapter 23 - New York 1962
  27. Chapter 24 - New York 1962
  28. Chapter 25 - New York 2008
  29. Chapter 26 - New York 1962
  30. Chapter 27 - New York 2008
  31. Chapter 28 - New York 2008
  32. Chapter 29 - New York 1974
  33. Chapter 30 - New York 2008
  34. Chapter 31 - New York 1974
  35. Chapter 32 - New York 2008
  36. Chapter 33 - New York 1974
  37. Chapter 34 - New York 2008
  38. Chapter 35 - New York City 1974
  39. Chapter 36 - New York 2008
  40. Chapter 37 - New York 2009
  41. Epilogue
  42. Dedication
  43. Acknowledgments
  44. Reading Group Guide
  45. ALSO BY LOUISE SHAFFER
  46. ABOUT THE AUTHOR
  47. What’s next onyour reading list?

LS: Thank you for saying that about my vision of New York City! I come from the tri-state area, and when I was a kid the only place I wanted to live was Manhattan. When I was growing up I visited it all the time with my folks to see theater and opera. When I was in my teens I studied acting in New York, and when I moved there in the seventies I couldn't believe my luck that I was actually living in what I thought was God's country. I floated around for years just feeling privileged to be in a place with so much diversity and energy. I still feel that way. To me, New York is a magical place where something wonderful can happen to you anytime just because you are there. And if the miracle doesn't come along on a given day, you can still get some fabulous dim sum for dinner. I love New York City. I want to go back there—but not while I have so many dogs and cats.

RHRC: You've now written four novels. What is your writing process like? Do you have a set routine? What inspires you, and what do you do when you get stuck?

LS: I guess I do have a process—it's evolving, so I don't really notice it, but it's there. I always have a story I want to tell, which is usually some sort of spin on my own life. Then I create characters who are believable doing whatever it is that happens in the story. At least, I have to believe they'd do it. Then I play out the consequences of what they did.

As to specific routines for writing, I wish I were that well organized. Basically, I kind of wander around the house talking to myself until I feel like I've got the plot worked out, then I spend a lot of time emailing to ease myself into my writing head, and then eventually I get scared about my deadline and I just start doing it. The first few days are the worst. I tend to fall asleep a lot at the computer. The weird part is, I love to write. So I don't know why I dance around it so much. When I'm stuck, which happens a lot, I stop trying to figure out what I want to do next and go clean the kitty litter. Most of my big breakthroughs come to me that way. I think it's because it's an activity that gets me away from my desk, so I can't keep on beating my brains out, and yet it's not the kind of activity I really want to focus on, so my right brain gets a lot of latitude to play around. When I'm working—especially on revisions—I have happy cats with exquisitely clean litter.