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Chapters (49)
  1. Cover
  2. Title Page
  3. Copyright
  4. Chapter 1 - New York City 2008
  5. Chapter 2 - New York City 2008
  6. Chapter 3 - New York City 2008
  7. Chapter 4 - New York City 2008
  8. Chapter 5 - New York City 2008
  9. Chapter 6 - Connecticut 2008
  10. Chapter 7 - New Haven Connecticut 1936
  11. Chapter 8 - New Haven 2008
  12. Chapter 9 - New Haven 1943
  13. Chapter 10 - New Haven 1943
  14. Chapter 11 - New Haven 1943
  15. Chapter 12 - New Haven 2008
  16. Chapter 13 - New Haven 1943
  17. Chapter 14 - New Haven 2008
  18. Chapter 15 - New York 2008
  19. Chapter 16 - New York 1957
  20. Chapter 17 - New York 2008
  21. Chapter 18 - New York 1962
  22. Chapter 19 - New York 1962
  23. Chapter 20 - New York City 1962
  24. Chapter 21 - New York 2008
  25. Chapter 22 - New York 1962
  26. Chapter 23 - New York 1962
  27. Chapter 24 - New York 1962
  28. Chapter 25 - New York 2008
  29. Chapter 26 - New York 1962
  30. Chapter 27 - New York 2008
  31. Chapter 28 - New York 2008
  32. Chapter 29 - New York 1974
  33. Chapter 30 - New York 2008
  34. Chapter 31 - New York 1974
  35. Chapter 32 - New York 2008
  36. Chapter 33 - New York 1974
  37. Chapter 34 - New York 2008
  38. Chapter 35 - New York City 1974
  39. Chapter 36 - New York 2008
  40. Chapter 37 - New York 2009
  41. Epilogue
  42. Dedication
  43. Acknowledgments
  44. Reading Group Guide
  45. ALSO BY LOUISE SHAFFER
  46. ABOUT THE AUTHOR
  47. What’s next onyour reading list?

The auditorum of the Vivian Beaumont theater was big—that was the first thing that hit her. The stage at the back wall jutted out into the audience so that people could see it from three sides. The seats were arranged in five sections that surrounded the stage; taken together, they formed three quarters of a circle. The floor, covered with a thick carpet, slanted downward toward the stage so people in the back rows could see over the heads of those in front of them. There were more seats in a balcony that curved around the theater on three sides.

An usher approached Carrie's escorts to take them to their seats; Carrie quickly backed away. There was a group of people who seemed to be hanging around at the back of the theater. According to what Zoe had told her, these were the standees. Carrie melted into their ranks, and, feeling safe, for the moment, stared at the exposed stage on which several pieces of furniture had been set.

Meanwhile, the excitement in the auditorium was escalating. A couple of latecomers had just scrambled into their seats but everyone else was sitting, rattling playbills and talking. The conversations became a buzz that bounced around the walls. Then, suddenly, the lights began to dim. Instantly the house went silent. It was eerie how quickly it seemed to happen. Now all eyes were fixed on the stage. The theater darkened to black, and the excitement was still growing until Carrie was sure the theater couldn't contain it. But then a second later the stage was flooded with light. There was a little intake of breath from the audience as the backdrop was illuminated and the furniture on the stage was revealed to be a part of a living room set. Then there was a burst of applause, and Carrie knew the magic had begun. Part of it was the way the lights played on the stage and made everything on it seem like it belonged to a fairy-tale world. Part of the magic was the way the audience was transformed. They had started out as strangers; when the lights came up on the stage they bonded together into one large mass. There was something childlike and eager about them. Carrie wanted to run down the aisle hugging as many of them as she could grab.

At that moment, the usher came over to Carrie, flicked on her flashlight, and demanded in a whisper to see Carrie 's ticket. Seconds later Carrie was shooed out of the theater. Relieved that her punishment was nothing more than a momentary embarrassment, Carrie ran all the way back to her apartment. She'd gotten what she wanted. She'd felt the magic of live theater.