Corrington writes me to ask what I think of the Kennedy thing. So, after I finish with this letter I must write and tell my oh my I must tell him, and he’s tough but he might not like what I say, and to you I say although I do not hold K. martyred as most, I do not like the dissolution of K. on down to a RUBY. The only thing that could be low enough to kill Ruby, a Ruby, would be a turd, and maybe one of them will stick into a stone mortuary within his intestines, but I doubt that—shit generally gets along with shit.

[* * *] If Henry Miller reviews me and it comes out bad, don’t worry. I once reviewed Henry Miller. I was in a little bus station in the middle of Texas and some gal who had been ramming her tongue down my throat went into the ladies’ room and I walked over to the newsstand with my hair down in my eyes and I bought one of the Cancers, I forget which, and Henry understood that the only way to get to a man was to speak the language of the day, the present tongue, but he got to a part where he talked about a guy with a big cock and how he made it with all the women with THIS BIG COCK, and he went on and on with this and I began getting sleepy and worse…worse than ANYTHING, I got the idea that Henry Miller the ALL-KNOWING didn’t know much more about fucking than to talk about it, and that’s the way most non-fuckers are. But then, it’s easy and simple to knock great names or kill ¼ great men, and I remember when I was very young, Hem used to work out in the ring, you know, and I always dreamed that I would volunteer to sit in the opposite corner, and in my dream, of course, I kayoed HEMINGWAY, and therefore I was a greater writer, I was a greater everything. Which is pure shit, and a kind of Oswald-Ruby thing. But Hemingway was partly responsible for it because—for all his hardcore writing which was good and needed to be done—he did build, at times, this sort of Hollywood plastic-image sort of thing, and what many call his greatest work, the thing that appeared in LIFE week by week installments, was a returning to his youthful formula of strength and victory and death and bravado straight on down the line, the only thing being he was no longer young, the snows had melted, and when he put the gun to his head he was putting the death to ungrowing cancer, and that the public (Life) was ready at the same time as he was ready, this was sad.