Chapters (26)
- Cover
- CHARLES BUKOWSKI
- SCREAMS FROM THE BALCONY
- EDITED BYSEAMUS COONEY
- Contents
- EDITOR’S NOTE
- • 1958 •
- • 1959 •
- • 1960 •
- • 1961 •
- • 1962 •
- • 1963 •
- • 1964 •
- • 1965 •
- • 1966 •
- • 1967 •
- • 1968 •
- • 1969 •
- AFTERWORD
- SEARCHABLE TERMS
- Acknowledgments
- About the Author
- BY CHARLES BUKOWSKIAVAILABLE FROM ECCO
- Copyright
- About the Publisher
- About the Publisher
Got a letter from Germany today from some Heinie telling me that he has translated “Candidate Middle” and “The Life of Borodin” and that they will be used in a radio feature. This calls for cold chills all around. I, who can no longer speak or understand the language of my birthplace, will be going back into my own tongue from the place I left. This is some kind of magic, like black horses turned loose and running on a hill. [* * *]
Weekend shot. Sherman haggling with Norman Mosher who studies under T. Roethke. Real bitter stuff. I have long ago said that I do not care for the poets. I would like to see one once in a while with a little self-doubt instead of this cockiness and the unsheathing of the nails. I am just about now getting over it. People climb into my mind, kick around, piss around, and it takes some time for them to leave.
…a part of the ankle will not go down. I will be the club-ankle poet. Lord Byron, make way!
I told Jon to let you have your head in the intro. If you want to go long, go long; if you want to go short, go short. It is a tough job at best. But you must know that I am honored to have you for my barker: “And now, ladies and gentlemen, we give you—,” and Bukowski steps out from behind the tent flap with 3 red hairs on his chest, and can of beer in one hand and a German shepherd pup in the other.
Keep your bones in good motion, kid, and quietly consume and digest what is necessary. I think it is not so much important to build a literary thing as it is not to hurt things. I think it is important to be quiet and in love with park benches; solve whole areas of pain by walking across a rug.
you got it.
dip the brush in turpentine,
p.s.—I asked Webb not to send proofs of the section. I’d rather see it all at once, quietly with a cold beer audience. And maybe think of other days & bad days to come, like all this is well, but the wall will be coming down. [* * *]
Arnold Kaye’s interview appeared in Literary Times for March 1963, under the title, “Charles Bukowski Speaks Out.”
[To Jon and Louise Webb]
[?February 1963]