Back Screams From the Balcony
Chapters (26)
  1. Cover
  2. CHARLES BUKOWSKI
  3. SCREAMS FROM THE BALCONY
  4. EDITED BYSEAMUS COONEY
  5. Contents
  6. EDITOR’S NOTE
  7. • 1958 •
  8. • 1959 •
  9. • 1960 •
  10. • 1961 •
  11. • 1962 •
  12. • 1963 •
  13. • 1964 •
  14. • 1965 •
  15. • 1966 •
  16. • 1967 •
  17. • 1968 •
  18. • 1969 •
  19. AFTERWORD
  20. SEARCHABLE TERMS
  21. Acknowledgments
  22. About the Author
  23. BY CHARLES BUKOWSKIAVAILABLE FROM ECCO
  24. Copyright
  25. About the Publisher
  26. About the Publisher

[* * *] heard from Nikos Stangos, PENGUIN BOOKS, I think it is some of Norse’s dirty work. anyhow it appears Norse und myself and one other, maybe Lamantia, will possibly appear in their next poet’s series of 3-in-a-book. which would feel very strange to me. now I am trying to put Stangos on Al Purdy. I consider Purdy and Norse the two best living poets, and it would make me feel strange, good, godly, golden to run in a book with these 2 magicians. Stangos is a new editor and he’s had his fill of the run—Olson, Creeley, Dorn, Whalen, Snyder, so forth, who, for me, are too architechial [sic] and mathematic. but, shit, it could probably fall through, and I am ready for that too. or maybe not, because hearing from Stangos he feels very warm and real and ready to take the flyer. he does not appear to be the backout type. I sense that he ready for the gamble. Norse and I have been in the underground cobwebs for so long that I feel that any type of good luck will not now destroy us or make us careful writers—that is not too careful to keep taking shots in the dark dark dark. I think we are now too old to think of anything but the days as they are, with us hanging there, drawing these things, and waiting. no school, ho, no politic, just the typer and the walls. [* * *]

[To John Martin]

October 18, 1967

been meaning to write. your special delivery royalty check bounced me out of bed at 7:30 a.m. Sunday morning. almost didn’t answer door. but the enclosure was well worth it. people who have seen the Curtains drool over it. I mean, the printing, layout, so forth.[* * *]

[To Thomas Livingstone]

October 18, 1967

have been fucked-up, drinking, so forth, general decline of the psyche, so forth, and so late answer. yes, I liked your writing in Nothing Doing in London, they just sent me your pages. the part with the guy in the phone booth, the whole phone booth bit was an immense and startling piece of writing. the pages sent me had laid around on my battered coffee table for a couple of weeks, and finally one day in a fit of depression, I though I was going cuckoo, real deep blues and no way out except all the way, and then I picked up your work. when I got to the phone booth I started laughing. real good writing makes me laugh; if not out loud, then kind of inside, but yours had me laughing outside too. I’m crazy this way. let me say that your writing saved the day for me. that day, anyhow. what luck. what’s going to save the future days, if anything, I don’t know.