Back Screams From the Balcony
Chapters (26)
  1. Cover
  2. CHARLES BUKOWSKI
  3. SCREAMS FROM THE BALCONY
  4. EDITED BY SEAMUS COONEY
  5. Contents
  6. EDITOR’S NOTE
  7. • 1958 •
  8. • 1959 •
  9. • 1960 •
  10. • 1961 •
  11. • 1962 •
  12. • 1963 •
  13. • 1964 •
  14. • 1965 •
  15. • 1966 •
  16. • 1967 •
  17. • 1968 •
  18. • 1969 •
  19. AFTERWORD
  20. SEARCHABLE TERMS
  21. Acknowledgments
  22. About the Author
  23. BY CHARLES BUKOWSKI AVAILABLE FROM ECCO
  24. Copyright
  25. About the Publisher
  26. About the Publisher

by the way I have an idea of tape mutation intervolving thing but in an rear-area of my own gone gnome tot-process which is: tape mutation or word formage in symphonic or rhythmic breakthru. I have the patterns already processed on paper, the music notes, and hope that I have not [* * *] tipped my beerhand as I would like to try it first, and if I can explain to Thomas’ thick head what I would like to do or change or forward or backward after listening to your Coleridge/Burroughs, Weissner tape, I think I could show you boys where you have missed a lot of chances and natural pluses. I don’t want to hurt you Carl, you’ve done anything but put warts in my bloodstream and I want to thank you for the tape, which was very good in the first interfolding part, but you had too much help somewhere, you were too staid self-conscious arty too Burroughs really. all right, shit, I know he is a genius and I am ejalulative [sic] jealous, fine. what I mean is: both you genuine cats getting up too tight and kind of reading it off of paper, breathing tight, tight kitties, good kitties, but not letting loose with who you are as loaf of bread or something shitting; I don’t MEAN THE ARTISTRY OF WHAT WAS SAID WAS BAD, THAT WAS ART, I mean the Artistry of DOING IT FAILED AS TOO TIGHT AND TOO HOLY. now the Gysin thing at the end was at the other extreme: too highschool and not enough holy Art. if you fuckers could only mix the 2 extremes you’d be in on target, and isn’t that the only place to be? check with Norse on what I am saying. he won’t lie to you even if it means the room rent. he’s too inbred now. there’s no out. ask him. but don’t get pissed if he agrees with me. you won’t. that’s why I write to you. that’s why I write to you straight. even tho we are all more sensitive—no matter how we act—than a female cat’s asshole or pussy or wherever those ramrod hair ends scream into the NIGHT: YOYYOWWW [* * *] my thanks, still, for tape. It was good, don’t let me mix you up. My thanks. But would like to send you my mozart—cadillac intermix soon. don’t be pissed. You won’t be. [* * *]