“I looked into it. Couldn’t help it, really. Morbidly fascinating, that stuff, don’t you think? Makes you wonder . . . could I do that? Could I kill ten people and then go on holiday?”

“Let’s hope not, Owen, we are alone on this ship.”

“Right. Yes. Purely hypothetical, Devar. I’m one of the good ones, nothing like this psycho . . .”

She listened absently to his assessment of the captain, and to his wild conjecturing. There were worse people to do a job with. Owen never went too far with the dark jokes, always stopping just short of something truly disgusting, and he had no problem filling the silence with information about his hobbies, his family, his grievances big and small. His wife and little boy lived on Tokyo Bliss Station, but he had put in for a transfer back to Earth, he just needed the money to get them there, and he had a little wrinkle-faced dog called Barry that farted itself awake every night and howled at him over long-distance video calls. The ringtone for his wife on his personal VIT monitor was some hideous new “Sexy Sadie” cover by the Late Nodes. Owen wore a newer model of the Vital Information Transmitter, silvery blue, one released specifically to celebrate Earth’s space travel tercentenary. Tokyo Bliss Station marketing reps were pushing a huge retro culture package, rolling out 1960s kitsch by the freighter-load, hoping to drum up some nostalgia for the moon landing. Their new interactive video game deck was all about humanity going to the stars for the first time, a real tercentenary extravaganza. Rosalyn couldn’t avoid the ads for it on her VIT, but she did avoid it on the station, even if it coincided with her first trip to the stars when she took the Merchantia job.

The Late Nodes blared through the hold now, interrupting Owen’s close inspection of his equipment. He swore under his breath, stumbling back over to the containment bin while giving Rosalyn a sheepish glance.

“Take it,” she said. “I won’t tell.”

The Late Nodes droned on about the world waiting for Sadie. Their take was darker, throatier, leaving behind the upbeat sway of the original.

“Darling, you know I’m at work . . .”

Rosalyn decided not to fire up her vacuum and interrupt the call, and she gave them privacy, shuffling carefully through the cargo hold toward the opposite end, away from the big bay doors. They had set up a low, temporary barrier to keep the remains from leaking out into the hall any more than they already had. She turned down the volume on her environmental suit again, determined not to hear their sweet, mundane exchange. It reminded her too painfully of things left far behind, on Earth, memories that she kept out of view but never seemed to outrun.

Her mother, Shireen, still called every day. When are you coming home?