She handed me a small black-and-white snapshot with a scalloped white rim and then watched over my shoulder as I studied the image. The print was four inches square and showed a woman in a floral-print sleeveless dress, smiling into the camera. Her hair, which could have been any color, was a medium-dark tone, long and gently wavy. She was small and pretty in a 1950s kind of way, more voluptuous than we’d consider stylish in this day and age. Over one arm she carried a straw tote from which a tiny fluffy pup appeared, staring at the camera with bright black eyes. “When was this taken?”

“Early June, I think.”

“And the dog’s name is Baby?”

“Baby, yes. A pure-bred Pomeranian everyone hated except my mom, who really doted on the little turd. Given the chance, Dad would have taken a shovel and pounded her into the ground like a tent peg. His words.”

A two-by-four porch post appeared to be growing from the top of Violet’s head. Behind her, on the porch rail, I could read the last two house numbers: 08. “Is this the house where you lived?”

Daisy nodded. “I’ll take you by when we’re over there.”

“I’d like that.”

We were silent on the drive to Serena Station. The sky was a flat pale blue, looking bleached by the sun. The hills rolled gently toward the horizon, the grass the color of brown sugar. Daisy’s was the only car on the road. We passed abandoned oil rigs, rust-frozen and still. To my left I caught a glimpse of an old quarry and rusting railroad tracks that began and ended nowhere. On the only visibly working ranch I saw, ten head of cattle had settled on the ground like brawny cats in the slatted shade of a corral.