Back Rules of the Road Save as PDF
Contents ( 34)
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34

I grip the top of the door, sort of haul myself over the top, graze my knee against the wall, and hesitate, but only for a moment, before lowering myself down as far as I can before letting go, landing in a heap in the side passage. I should be fitter than this. The girls are always on at me to take up this or that. Swimming or running or Pilates. Get you out of the house. Get you doing something.

The shed in Iris’s back garden has been treated to a clear-out; inside, garden tools hang on hooks along one wall, the hose coiled neatly in a corner and the half-empty paint tins—sealed shut with rust years ago—are gone. It’s true that I advised her to dispose of them—carefully—given the fire hazard they presented. Still, I can’t believe that she actually went ahead and did it.

Even the small window on the gable wall of the shed is no longer a mesh of web. Through it, I see a square of pale blue sky.

The spare key is in an upside-down plant pot in the shed, in spite of my concerns about the danger of lax security about the homestead.

I return to the driveway and check on Dad. He is still there, still in the front passenger seat, singing along to the Frank Sinatra CD I put on for him. Strangers in the Night.

I unlock the front door. The house feels empty. There is a stillness.

“Iris?” My voice is loud in the quiet, my breath catching the dust motes, so that they lift and swirl in the dead air.

I walk through the hallway, towards the kitchen. The walls are cluttered with black-and-white photographs in wooden frames. A face in each, mostly elderly. All of them have passed through the Alzheimer’s Society and when they do, Iris asks if she can take their photograph.

My father’s photograph hangs at the end of the hallway. There is a light in his eyes that might be the sunlight glancing through the front door. A trace of his handsomeness still there across the fine bones of his face framed by the neat helmet of his white hair, thicker then.

He looks happy. No, it’s more than that. He looks present. “Iris?”

The kitchen door moans when I open it. A squirt of WD-40 on the hinges would remedy that.

A chemical, lemon smell. If I didn’t know any better, I would suspect a cleaning product. The surfaces are clear. Bare. So too is the kitchen table, which is where Iris spreads her books, her piles of paperwork, sometimes the contents of her handbag when she is hunting for something. The table is solid oak. I have eaten here many times, and have rarely seen its surface. It would benefit from a sand and varnish.

In the sitting room, the curtains are drawn and the cushions on the couch look as though they’ve been plumped, a look which would be unremarkable in my house, but is immediately noticeable in Iris’s. Iris loves that couch. She sometimes sleeps on it. I know that because I called in once, early in the morning. She wasn’t expecting me. Iris is the only person in the world I would call into without ringing first. She put on the kettle when I arrived. Made a pot of strong coffee. It was the end of Dad’s first week in the home.