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Contents ( 27)
  1. River of Smoke
  2. Contents
  3. Part I
  4. Islands
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Part II
  12. Canton
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Twelve
  19. Part III
  20. Commissioner Lin
  21. Thirteen
  22. Fourteen
  23. Fifteen
  24. Sixteen
  25. Seventeen
  26. Eighteen
  27. Acknowledgements

Paulette had never seen such extraordinary variations of colour in a single bloom. ‘It is very beautiful, sir – so much that one must doubt that such a flower really exists.’

‘Can’t fault ee for that,’ said Fitcher. ‘But if ee look at the way the parts are drawn ee’ll see that they seem to be sketched from a live specimen. Wouldn’t ee say?’

Now, looking at the picture again, Paulette saw that the picture’s composition was not unlike that of a European botanical illustration: it had been so configured as to include many telling details. She focused her gaze on the leaves, of which two were depicted in the painting: they were elliptical in shape with beautifully defined drip-tips; the petioles were carefully drawn and the mid-ribs and veins were clearly indicated under the shining, glossy epidermis. A bud was also featured, with its head emerging from a wrapping of sepals, packed tightly together like fish-scales.

‘Was it Sir Joseph who showed this picture to you?’

‘So it was.’

Shortly after Ah Fey’s arrival at Kew, Fitcher had once again received a summons from Sir Joseph Banks. On presenting himself before the Curator he had learnt that apart from plants and pictures, William Kerr had also sent a letter with Ah Fey, asking to be relieved of his post in Canton. He had spent several years there already and was desperate to leave. Since he had collected more than two hundred new species, Sir Joseph had decided to reward him by granting his wish: a new post would be created for him in Ceylon.

‘But much useful work remains to be done in Canton,’ said Sir Joseph. ‘Indeed I have received intelligence of a flower that may be a greater prize than any of Kerr’s discoveries. For this reason, among others, I have decided that the next man I send to China will go not as a representative of Kew, but as the emissary of a group of private investors.’

With that Sir Joseph had handed Fitcher the recently received picture of the Golden Camellia.

‘I need hardly tell you, Penrose, that all this is in the strictest confidence.’

‘No, sir.’

‘So what do you say, Penrose? You’re a steady kind of fellow, aren’t you? Are you of a mind to make a name for yourself? And some money too?’

Fitcher knew right then that one way or another the offer would upend his life: three years had passed since his first voyage to China. On his return, he had been given a job at Kew, and had risen to the rank of foreman. On the strength of that he had married the girl he had set his heart on years before, in Falmouth, and she was now pregnant. Fitcher was loath to leave his wife at such a time, but it was she who persuaded him to accept the Curator’s offer: she could go back, she said, to her parents for the two or three years it would take for Fitcher to return. In Falmouth, where a great number of women were married to sailors, this was a predicament shared by many and she would manage well enough; an opportunity like this was not to be forgone.