Neel’s job was further complicated by the Seth’s habits of dictation: he always composed on his feet and his restless pacing seemed to add to the turbulence of his words, which often came pouring out in braided torrents of speech, each rushing stream being silted with the sediment of many tongues – Gujarati, Hindusthani, English, pidgin, Cantonese. To stop the Seth when he was in full flow was inconceivable, and to pose a question about this phrase or that, or to ask the meaning of one word or another, was to risk an explosion of irritability – queries had to be deferred till later, or better still, referred to Vico. In the interim all Neel could do, to make sense of this gurgling snowmelt of sound, was to pay close attention, not just to what Bahram said, but also to the gestures, signs and facial expressions with which he amplified, enlarged upon, and even negated the burden of his words. This unspoken idiom could not be lightly ignored: once when Neel rendered a sentence as ‘Mr Moddie affirms that he would be glad to comply’, Bahram took him to task for his negligence – ‘What-ré? You didn’t see, how I was doing with my hand, like-this, like-this. How you take that to mean “yes”? You cannot see it is “no”? Just dreaming or what?’

And then there was the window, which was a perennial source of disruption in the daftar: even though Neel’s desk was in the far corner of the room, there was always a rich medley of sound to cope with, wafting in from below: the barrikin of barrowmen and the drunken bellowing of sailors on the dicky-run; the keening of moochers and the clattering of clapperdudgeons; the whistling of tame songbirds, being promenaded in their cages and outbursts of gong-banging to mark the passage of consequential personages – and so on. The cacophony that welled out of the Maidan changed from minute to minute.

If the window was a source of disruption for Neel, it was far more so for his employer, who would often break off in mid-sentence and stand there as if hypnotized. Outlined against the frame, in his dome-like turban and wide-skirted angarkha, the Seth’s form was so regal that Neel was sometimes led to wonder whether he was deliberately striking a pose for the benefit of the strollers on the Maidan. But Bahram was not a man who could stand still for long: after staring moodily into the distance, he would again begin to pace the floor, furiously, as though he were trying to outrun some hotly pursuing thought or memory. But then, glancing outside once more, he would spot some friend or acquaintance and his mood would change: leaping to the window he would thrust his head out and begin to shout greetings, sometimes in Gujarati (Sahib kem chho?), sometimes in Cantonese (Neih hou ma Ng sin-saang? Hou-noih-mouh-gin!); sometimes in pidgin (‘Chin-chin, Attock; long-tim-no see!’); and sometimes in English (‘Good morning, Charles! Are you well?’).