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Contents ( 41)
  1. About the Book
  2. Contents
  3. PART ONE
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. CHAPTER FOUR
  8. CHAPTER FIVE
  9. CHAPTER SIX
  10. CHAPTER SEVEN
  11. CHAPTER EIGHT
  12. CHAPTER NINE
  13. CHAPTER TEN
  14. CHAPTER ELEVEN
  15. CHAPTER TWELVE
  16. CHAPTER THIRTEEN
  17. CHAPTER FOURTEEN
  18. CHAPTER FIFTEEN
  19. CHAPTER SIXTEEN
  20. CHAPTER SEVENTEEN
  21. CHAPTER EIGHTEEN
  22. CHAPTER NINETEEN
  23. CHAPTER TWENTY
  24. CHAPTER TWENTY-ONE
  25. CHAPTER TWENTY-TWO
  26. CHAPTER TWENTY-THREE
  27. CHAPTER TWENTY-FOUR
  28. CHAPTER TWENTY-FIVE
  29. PART TWO
  30. CHAPTER TWENTY-SIX
  31. CHAPTER TWENTY-SEVEN
  32. CHAPTER TWENTY-EIGHT
  33. CHAPTER TWENTY-NINE
  34. CHAPTER THIRTY
  35. CHAPTER THIRTY-ONE
  36. CHAPTER THIRTY-TWO
  37. PART THREE
  38. CHAPTER THIRTY-THREE
  39. ACKNOWLEDGEMENTS
  40. Praise for Kirsten Alexander and Half Moon Lake
  41. Sign up to Read More and discover new favourites

‘That’s them. I’ll see you later.’

‘They don’t want to have a quick drink here, a bite to eat?’

‘I told you, we’re going to the pub. Is this –’ I point at her latest outfit – ‘is this for their benefit?’

‘Shut up.’ She blushes and leaves the kitchen.

CHAPTER TWENTY-ONE

Sunday 29 December 1974

Charlie

Ryan, Sal and I walk into the beer garden entrance of the Royal Exchange. It’s five-thirty on a hot afternoon so the pub is crowded for the Sunday session, filled with happy drinkers done with weekend chores, students, packs of kids running around and dogs. The music is pumping – Sherbet’s ‘Slipstream’ when we walk in – and people are smiling, holding glasses, stubbies, cans, cigarettes. I hear snatches of upbeat conversation: ‘Come here you big poofter!’, ‘Bloody oath I am’, ‘Fourteen, mate. That’s close enough to legal.’ I’m glad we three are back together again, and in a place we’ve spent so many days and nights, but I’m worried about taking Ryan somewhere fun. I reckon I can enjoy myself without losing perspective, but a good afternoon at the RE might fuel his romantic notions about moving back.

Ryan goes inside to the bar to get us a jug of beer while Sal and I scout for a table under the fig tree, our preferred spot. I’m about to ask her what kind of mood Ryan’s been in since they arrived when I instead freeze on the spot. People are moving about on the dirt floor, obscuring my line of sight, so it’s only a glimpse at first. I tell myself I’m being paranoid, that it can’t be, wouldn’t be. Sal wanders away, and I wait until I get a good look. Then I’m certain. It’s Finn.

He’s leaning against a brick wall, talking to a hefty, heavily bearded man wearing an unzipped leather vest and patched jeans. My first thought is that Finn is following me. He must have arrived here minutes before us and ducked into the pub while we parked. Question is whether he’s here to punish me for trying to take Beau, or if Doyle sent him to keep an eye on who I talk to. I try to think of an excuse to get Ryan and Sal out of here, then think about whether, instead, I can get into the bar unseen and tell Ryan I have to leave on my own. Family emergency or something. Finn isn’t looking my way so maybe I should just go, and explain myself to my friends later.

Sal calls out to me that she’s found an empty table, then raises one arm to signal to Ryan also, who’s walking our way, holding a full jug and glasses. Three or four men, Finn included, flick their eyes to watch her with undisguised appreciation. And in a snap I realise that this place is so public, so crowded, that it’s my safest option. Finn won’t do anything to me with this many witnesses around. My best bet is to sit down and wait him out.