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Chapters (66)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Epigraphs
  5. Contents
  6. Prologue
  7. Chapter 1
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Chapter 6
  13. Chapter 7
  14. Chapter 8
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. Chapter 29
  36. Chapter 30
  37. Chapter 31
  38. Chapter 32
  39. Chapter 33
  40. Chapter 34
  41. Chapter 35
  42. Chapter 36
  43. Chapter 37
  44. Chapter 38
  45. Chapter 39
  46. Chapter 40
  47. Chapter 41
  48. Chapter 42
  49. Chapter 43
  50. Chapter 44
  51. Chapter 45
  52. Chapter 46
  53. Chapter 47
  54. Chapter 48
  55. Chapter 49
  56. Chapter 50
  57. Chapter 51
  58. Chapter 52
  59. Chapter 53
  60. Chapter 54
  61. Chapter 55
  62. Chapter 56
  63. The Boston Globe
  64. Also by Michael Palmer
  65. About the Author
  66. Copyright

Gradually, Kazimi’s vision came into focus. He crawled out from the canopy and found himself in a richly appointed room adorned with magnificent oriental carpeting, laid on an exquisite fieldstone floor. The same stone covered the lower half of the walls, leading him to think of a medieval castle. The upper half was an ornate fleur-de-lis design done in crimson velvet.

The air was scented from three massive bouquets of fresh-cut flowers arranged in crystal vases. Directly across from him stood a black lacquer bureau, inlaid with mother of pearl, and above it hung an ultra-modern plasma television, currently powered off, but with a remote attached to it by Velcro strips. In addition to a well-volumed bookcase, there were five beautifully framed and lit paintings that Kazimi, hardly an expert at such things, believed were a Degas, a Picasso, a Monet, and possibly two of the Dutch masters—almost certainly all original.

Kazimi took a few tentative steps. He was wobbly and weak at first, but gradually regained his balance. Standing in the center of the room, he made a more extensive survey of his posh accommodations, and was both amazed and repulsed by the decadence surrounding him. He had always been a man of simple values, for whom material possessions had meant nothing. Perhaps, he mused, knowledge of that philosophy is why his captors elected to imprison him inside such opulence.

Moving to the corner of the room next to the bookcase, Kazimi scanned the bar, stocked with the finest spirits and bottles of wine, most likely from the very best vintages. Though alcohol would never pass his lips, he knew the value of wine bottled decades ago. In front of the bar was a glistening ebony table with four Louis XIV chairs, also most likely not reproductions. As a frequent guest of international conferences on bacteriology, he had been put up in hotel suites before. This room made even the most luxurious of those look like some of the concrete homes of his native Pakistan.

Automatic lights came on as he stepped into a cavernous bathroom tiled in spectacular white marble flecked with gold, and featuring a shower, steam room, and Jacuzzi tub cast in what appeared to be pure copper.

Glancing at his reflection in the oversized mirror, he winced at his raccoon eyes and sickly pallor. Again, the questions:

What drug did Burke give me?

Where am I?

What do they want with me?

How can I fight them?

How can I escape?

He rested his hands on the granite countertop until he felt steadier on his feet. Then he left the bathroom and crossed to the shuttered, black-lacquered double doors, which he assumed exited the garish room.

Locked.

He examined the walls and even under the carpet, searching for another way out. Only then did it register that the space had no windows. A velvet and silk dungeon.

At that instant, a sharp knock on the door startled him.