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Chapters (48)
  1. ANNCLEEVES
  2. Contents
  3. Chapter One
  4. Chapter Two
  5. Chapter Three
  6. Chapter Four
  7. Chapter Five
  8. Chapter Six
  9. Chapter Seven
  10. Chapter Eight
  11. Chapter Nine
  12. Chapter Ten
  13. Chapter Eleven
  14. Chapter Twelve
  15. Chapter Thirteen
  16. Chapter Fourteen
  17. Chapter Fifteen
  18. Chapter Sixteen
  19. Chapter Seventeen
  20. Chapter Eighteen
  21. Chapter Nineteen
  22. Chapter Twenty
  23. Chapter Twenty-one
  24. Chapter Twenty-two
  25. Chapter Twenty-three
  26. Chapter Twenty-four
  27. Chapter Twenty-five
  28. Chapter Twenty-six
  29. Chapter Twenty-seven
  30. Chapter Twenty-eight
  31. Chapter Twenty-nine
  32. Chapter Thirty
  33. Chapter Thirty-one
  34. Chapter Thirty-two
  35. Chapter Thirty-three
  36. Chapter Thirty-four
  37. Chapter Thirty-five
  38. Chapter Thirty-six
  39. Chapter Thirty-seven
  40. Chapter Thirty-eight
  41. Chapter Thirty-nine
  42. Chapter Forty
  43. Chapter Forty-one
  44. Chapter Forty-two
  45. Chapter Forty-three
  46. Chapter Forty-four
  47. Chapter Forty-five
  48. Acknowledgements

He pushed open the door into the kitchen, expecting to see Mima in her chair by the Rayburn, the cat on her knee, an empty glass by her side, watching something violent on the television. She was never one for going to bed early, hardly seemed to sleep much at all, and she loved violence. She was the only one of his family who’d been pleased by his choice of career. ‘Fancy,’ she said, ‘a cop!’ She’d had a kind of dreamy look in her eyes and he’d been sure she’d been imagining New York, guns, car chases. She’d only been south once, to Aberdeen for a funeral. Her pictures of the world came from the TV. Policing in Shetland had never been much like that, but she still enjoyed hearing his stories, he exaggerated them, just a touch, to make her happy.

The television was on, the sound horribly loud. Mima was going deaf, though she refused to admit it to the family. But the cat lay on its own in the chair. It was large and black and vicious to everyone but its owner. A witch’s cat, his mother called it. Sandy turned down the sound, opened the door to the rest of the house and shouted. ‘Mima! It’s me!’ He knew she wasn’t asleep. She’d never leave the light and the telly on, and the cat shared her bed as well as her chair. Mima’s husband had died in an accident at sea when she was still a young woman. There were rumours of her being a wild young widow, but since he’d known her she’d lived on her own.

There was no answer. He felt suddenly very sober and walked through to the rest of the house. There was a corridor which ran along the back of the three rooms and led into each one. He couldn’t remember ever going into her bedroom before. She’d never been ill. It was a square room taken up with a heavy dark-wood wardrobe and a bed so high that he couldn’t see how Mima could scramble on to it without a step. There was the same thick brown lino on the floor as in the kitchen, a sheepskin rug, white once, now grey and rather matted. The curtains, faded and tatty, cream with a design of small roses, weren’t drawn. On the windowsill stood a photo of her husband. He had a thick red beard, very blue eyes, was dressed in an oilskin and boots and reminded Sandy of his father. The bed had been made and covered with a quilt of crocheted squares. There was no sign of Mima.