So Starbuck had no choice but to tell his pathetic story of obsession, love and crime; a shameful tale of how Mademoiselle Dominique Demarest of New Orleans had persuaded Nathaniel Starbuck of Yale that life had more to offer than lectures in didactic theology, sacred literature or the sermonizing arts.

“A bad woman!” Washington Faulconer said with happy relish when Starbuck first mentioned her. “Every tale should have a bad woman.”

Starbuck had first glimpsed Mademoiselle Dominique Demarest in the Lyceum Hall at New Haven where Major Ferdinand Trabell’s touring company was presenting the Only True and Authorized Stage Version of Uncle Tom’s Cabin, Complete with Real Bloodhounds. Trabell’s had been the third such traveling Tom company to visit New Haven that winter, and each had claimed to be presenting the only true and authorized dramatic version of the great work, but Major Trabell’s production had been the first that Starbuck dared attend. There had been impassioned debate in the seminary about the propriety of attending a thespian performance, even one dedicated to moral instruction and the abolition of slavery, but Starbuck had wanted to go because of the bloodhounds mentioned on the playbill. There had been no bloodhounds in Mrs. Beecher Stowe’s fine work, but Starbuck suspected the animals might make a dramatic addition to the story, and so he had visited the Lyceum where, awestruck, he had watched as a veritable angel who was playing the part of the fugitive slave Eliza had tripped lightly across the make-believe ice floes pursued by a pair of lethargic and dribbling dogs that might or might not have been bloodhounds.

Not that Starbuck cared about the dogs’ pedigree, but only about the angel, who had a long face, sad eyes, shadowed cheeks, a wide mouth, hair black as night, and a gentle voice. He had fallen in love instantly, furiously and, so far as he could tell, eternally. He had gone to the Lyceum the next night, and the next, and the next, which was also New Haven’s final performance of the great epic, and on the following day he had offered to help Major Trabell strike and crate the scenery, and the major, who had recently been abandoned by his only son and was therefore in need of a replacement to play the parts of Augustine St. Clair and Simon Legree, and recognizing Starbuck’s good looks and commanding presence, had offered him four dollars a week, full board, and Major Trabell’s own tutelage in the thespian arts. Not even those enticements could have persuaded Starbuck to abandon his seminary education, except that Mademoiselle Dominique Demarest had added her entreaties to those of her employer, and so, on a whim, and for his adoration of Dominique, Starbuck had become a traveling player.

“You upped stakes and went? Just like that?” Washington Faulconer asked with obvious amusement, even admiration.