Back Railroad of Death
Chapters (40)
  1. FOREWORD
  2. RAILROAD OF DEATH
  3. REFERENCE LIST:
  4. Railroad of Death
  5. PREFACE TO THE THIRD EDITION (1948)
  6. INTRODUCTION
  7. PART ONE: SINGAPORE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. PART TWO: RAILROAD OF DEATH
  14. CHAPTER 6
  15. CHAPTER 7
  16. CHAPTER 8
  17. CHAPTER 9
  18. CHAPTER 10
  19. CHAPTER 11
  20. CHAPTER 12
  21. CHAPTER 13
  22. PART THREE: BASE CAMPS AND LIBERATION
  23. CHAPTER 14
  24. CHAPTER 15
  25. CHAPTER 16
  26. CHAPTER 17
  27. CHAPTER 18
  28. CHAPTER 19
  29. CHAPTER 20
  30. APPENDIX ONE:
  31. APPENDIX TWO:
  32. APPENDIX THREE:
  33. APPENDIX FOUR:
  34. APPENDIX FIVE:
  35. APPENDIX SIX:
  36. APPENDIX SEVEN:
  37. APPENDIX EIGHT:
  38. APPENDIX NINE:
  39. ACKNOWLEDGEMENTS
  40. And The Dawn Came Up Like Thunder

Next day we moved into the hut, and thank God those leaky days in that half tent were over! There had only really been one amusing thing in that tent, for usually it leaked so badly that we were perpet-ually chilled and wretched. This funny thing was what we called ‘Pat Radnor’s Comedy Act’. Pat used to rig a ground sheet over his bed between the canvas and the bamboo frame because there was one very large leak directly over his bed. After a couple of hours’ rain the sheet bulged ominously down, weighted by about a couple of gallons of water. Pat, rather than stand up and tip it safely out over the back, used always to stretch his hands up from a sitting position and try to empty it in the lazy way; but he was too short, and every time succeeded in tipping it the wrong way, and we just used to lie and watch the bulge slowly moving backwards towards Pat’s head as he pushed upwards and, as always happened, about a gallon of water fell out onto his back, and then he’d jump up swearing and empty it the proper way.

Lying on the ground next afternoon under the eaves of the new hut and waiting for the bamboo slats to be put in the bay Gibby and I were to inhabit, I propped myself up on an elbow and began revising some of the early chapters of this book. As I read through trying to decipher my own writing, I became aware of someone watching me. I turned round, and saw a Nip with huge horn-rimmed spectacles apparently reading over my shoulder.

‘Diary-kah?’ he said slowly, reaching out and seizing the book. I was so surprised that I said ‘Yes’ without thinking, and rapidly had to pretend I didn’t understand what he’d said, and assured him it was NOT a diary, but just a book, an ordinary book because before the war I was a journalist. The Nip, who was suspected of being a Kimpi, one of the Nip Secret Police, thumbed the pages through slowly, but to my relief I could see that the writing was quite beyond him. Perhaps I might get away with it yet – at first I’d anticipated nothing less than a broken limb.

So I flattered the little brute, asked him where he learnt his very good English and so on, and then we started an incredible conversation on English literature. ‘You know Sakespare, Enggeland Number One poet?’ he asked. I enthused over Shakespeare. He then told me he read Byron at school. ‘You-a-read Byron?’ Yes, I knew Byron, but I didn’t read him much; I was more interested in writing myself, and the book he held in his hands was my first effort. I turned some of the pages over for him, telling him some completely phoney story about the contents, pretending that I thought he could read it as well as I, and the long and the short of it was that after one-and-a-quarter nerve racking hours I got it back. That evening I didn’t dare hide it lest he asked to see it again and should get suspicious if I said I’d lost it; so for the present I tore out all the most unpleasant things about the Nips and hoped to brass it out if it were called in.