Back Rabble in Arms
Chapters (75)
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. BIBLIOGRAPHICAL NOTE
  6. ILLUSTRATIONS
  7. I
  8. II
  9. III
  10. IV
  11. V
  12. VI
  13. VII
  14. VIII
  15. IX
  16. X
  17. XI
  18. XII
  19. XIII
  20. XIV
  21. XV
  22. XVI
  23. XVII
  24. XVIII
  25. XIX
  26. XX
  27. XXI
  28. XXII
  29. XXIII
  30. XXIV
  31. XXV
  32. XXVI
  33. XXVII
  34. XXVIII
  35. XXIX
  36. XXX
  37. XXXI
  38. XXXII
  39. XXXIII
  40. XXXIV
  41. XXXV
  42. XXXVI
  43. XXXVII
  44. XXXVIII
  45. XXXIX
  46. XL
  47. XLI
  48. XLII
  49. XLIII
  50. XLIV
  51. XLV
  52. XLVI
  53. XLVII
  54. XLVIII
  55. XLIX
  56. L
  57. LI
  58. LII
  59. LIII
  60. LIV
  61. LV
  62. LVI
  63. LVII
  64. LVIII
  65. LIX
  66. LX
  67. LXI
  68. LXII
  69. LXIII
  70. LXIV
  71. LXV
  72. LXVI
  73. LXVII
  74. LXVIII
  75. LXIX

I was glad to hear Captain Hitchcock refusing their offers of hospitality. “Can’t stop,” he said a thousand times. “Can’t stop. We got to get home.” The men, bent on making a good appearance, kept their eyes to the front; and the drum, echoing beneath the elms that arched above us, took on a resonance that seemed to draw us on more rapidly, as narrowing banks speed on an idling stream.

We left the village and came out into the meadows that lie above the river. There is a peculiar sweetness to this section of the world—some singular quality to the atmosphere, like that which gives the leaves their added brilliance in the autumn. The very grass has a perfume of its own, and the land is redolent of sea and pines; of strength and freshness.

“We’re almost there.” I told Ellen. “Look—around the bend—the red one! The red house! There’s someone at the gate!” I coughed, to show my coolness.

The drum made a triple flourish and the fife squealed Yankee Doodle, over and over. There were people shouting from the gateways and the paths—people who had known us from the days when we robbed cherry trees and ran yelling home from school. I would have liked to look at them and smile, but dared not, and so looked straight ahead.

The horse, of its own accord, stopped at our front gate, and I heard my mother’s voice. “Nathaniel!” she cried. “Father! It’s Nathaniel! It’s Nathaniel and Peter!”

I lifted Ellen from the chaise and set her before my mother and the girls. My mother fumbled uncertainly with the white collar of her dress: then spoke quickly to Jane and Susanah. “Don’t stand there staring! The yellow room! She’ll have the yellow room!”

She touched Ellen’s brown curls, a poignant reminder of how I had longed to touch them, just so, when first I had seen her, two long years before. Ellen’s arms went around my mother’s shoulders, and I turned away, with dimmed eyes and a brimming heart, to watch Hitchcock’s company swinging down the straight road that leads to the sea. Some of the men looked back and waved. They were a fine lot. Rabble, the English had called them. The spruce tips in the musket barrels were as straight and even as the top of a spruce wind-break. The fife and the drum seemed to repeat the word “Rabble” with derisive chuckles.

My father came to stand silently beside me. Neither of us, evidently, felt the need of words.