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Chapters (29)
  1. Copyright Page
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ONE
  6. TWO
  7. THREE
  8. FOUR
  9. FIVE
  10. SIX
  11. SEVEN
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. TWELVE
  17. THIRTEEN
  18. FOURTEEN
  19. FIFTEEN
  20. SIXTEEN
  21. SEVENTEEN
  22. EIGHTEEN
  23. NINETEEN
  24. TWENTY
  25. TWENTY-ONE
  26. TWENTY-TWO
  27. TWENTY-THREE
  28. TWENTY-FOUR
  29. TWENTY-FIVE

Turning from the window, her gaze wandered contemptuously over the dull attire of the women workers. Drab colors, mostly navy blue, black, brown, unrelieved, save for a scrap of white or tan about the hands and necks. Fragments of a speech made by the dean of women floated through her thoughts—“Bright colors are vulgar”—“Black, gray, brown, and navy blue are the most becoming colors for colored people”—“Dark-complected people shouldn’t wear yellow, or green or red.”—The dean was a woman from one of the “first families”—a great “race” woman; she, Helga Crane, a despised mulatto, but something intuitive, some unana lyzed driving spirit of loyalty to the inherent racial need for gor geousness told her that bright colours were fitting and that dark-complexioned people should wear yellow, green, and red. Black, brown, and gray were ruinous to them, actually destroyed the luminous tones lurking in their dusky skins. One of the loveli est sights Helga had ever seen had been a sooty black girl decked out in a flaming orange dress, which a horrified matron had next day consigned to the dyer. Why, she wondered, didn’t someone write A Plea for Color?

These people yapped loudly of race, of race consciousness, of race pride, and yet suppressed its most delightful manifestations, love of color, joy of rhythmic motion, naïve, spontaneous laughter. Harmony, radiance, and simplicity, all the essentials of spiritual beauty in the race they had marked for destruction.

She came back to her own problems. Clothes had been one of her difficulties in Naxos. Helga Crane loved clothes, elaborate ones. Nevertheless, she had tried not to offend. But with small success, for, although she had affected the deceptively simple variety, the hawk eyes of dean and matrons had detected the subtle difference from their own irreproachably conventional garments. Too, they felt that the colors were queer; dark purples, royal blues, rich greens, deep reds, in soft, luxurious woolens, or heavy, clinging silks. And the trimmings—when Helga used them at all—seemed to them odd. Old laces, strange embroideries, dim brocades. Her faultless, slim shoes made them uncomfortable and her small plain hats seemed to them positively indecent. Helga smiled inwardly at the thought that whenever there was an evening affair for the faculty, the dear ladies probably held their breaths until she had made her appearance. They existed in constant fear that she might turn out in an evening dress. The proper evening wear in Naxos was afternoon attire. And one could, if one wished, garnish the hair with flowers.

Quick, muted footfalls sounded. The secretary had returned.

“Dr. Anderson will see you now, Miss Crane.”