Back Pumpkin
Chapters (44)
  1. Cover
  2. Dedication
  3. Epigraph
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty-One
  25. Twenty-Two
  26. Twenty-Three
  27. Twenty-Four
  28. Twenty-Five
  29. Twenty-Six
  30. Twenty-Seven
  31. Twenty-Eight
  32. Twenty-Nine
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Thirty-Four
  38. Thirty-Five
  39. Thirty-Six
  40. Acknowledgments
  41. About the Author
  42. Books by Julie Murphy
  43. Back Ad
  44. About the Publisher

She shakes her head. “Oh, Lord, I don’t know. I love him a lot. I’m scared to go and I’m scared to stay.” She sighs. “Can we please talk about someone else’s mess of a life?” Willowdean asks.

“Not it,” I mumble.

At the Hideaway, all seven of us file in with big black Xs on the tops of our hands. Tonight’s event is more of an open mic, which means I’m not actually competing for anything. It’s one of the only things keeping my nerves at bay.

“This is where we leave you,” Hannah says, after making a quick run to the bar to sign me up.

Behind her, Alex and Kyle wave at me, flashing me their thumbs-ups.

I must look helpless to Hannah, because she touches my arm and says, “She’ll be here.”

“I know.” Clem hasn’t texted or called yet, but I don’t want to nag her. I want to show her that I can be totally chill and that she can trust me not to freak out every time she does something without me. I’m a whole new Waylon. Sort of.

“Thanks,” I tell Hannah. “Text me if you hear from her.”

Behind me, I step through a parted curtain into a small open-air backstage that has been set up for anyone who needs to prep their hair and makeup. There are a few folding chairs and a table with a mirror tilted against the wall and a few floor lamps without shades. I plop my bag down on the table and unravel my headphones to plug into my phone, so I can listen to my song over and over and over again.

I brought Clementine’s Merle Norman makeup kit, which I plan on replacing with much better products the moment I have actual money that belongs to me.

As I’m plastering my eyebrows to my forehead with a stick of glue, an older man with a potbelly and olive-toned skin sits down beside me with a dress bag in one hand and a makeup-stained lavender Caboodle in the other.

He smiles at me in our reflection, and I yank the headphones from my ears.

“First time onstage?” he asks over the tempo of the music.

“Yes,” I say. “No, well, yes, formally.”

He opens his Caboodle to reveal stacks of makeup palettes and piles of lip liners and lipsticks. “My kit is your kit.”

“Thanks,” I say, my face nearly turning into the heart-eyes emoji at the sight of his stash.

I continue to do my makeup, but now that I have company, I hesitate with every stroke. My new friend is doing everything he can not to stare at me, but we can’t really avoid each other, and it turns out that painting your face with an audience is actually awful.