It was dim inside after the brightness of the station with all its gas lighting and colourful activity. It took Rue’s all-too-human eyes a moment to adjust. She simply stood still and waited.

The room was tiny, pleasantly furnished with a mismatch of crates draped in bright swathes of cloth and pretty cushions of varying shapes and sizes – so many pillows, in fact, that they fell about littering the carpeted floor. Glass baubles, strings of shells, golden fringe, and large tassels dangled from hooks and protuberances. It reminded Rue of a fortune-teller’s caravan or possibly a peddler’s covered wagon. Not that she’d had occasion to see many, but she could imagine what they might look like.

It was empty. No cat. No parasol.

Then out of the shadows and through a curtain of wooden beads walked the most unbelievably beautiful woman Rue had ever seen.

Rue’s perspective on beauty was not confined to those of British high society, although she could certainly see Prim’s loveliness, a classic English rose with milky complexion and dark chestnut curls. She could also see the Nordic beauty in her troublesome Uncle Channing for all his objectionable arrogance and uncertain temper, a chilly combination of ice and ivory. But she could also see beauty in the Fisk Jubilee Singers, all ebony and lace and sweet melodies, and in the copper-coloured drones Aunt Ivy had inherited with her Egyptian vampire hive.

This woman’s skin was a dark tea colour, her eyes huge and almond-shaped. Her cheekbones were high enough to etch glass and her neck was long and impossibly graceful. Her nose might be a tad assertive by British standards, straight and dominant, and her lips, though full and well-shaped, were set firm.

Rue’s breath actually whooshed out of her.

Finally she breathed in and coughed. All she could think to say was, “Are you on the stage? You should be.”

The women looked nonplussed and then, in a subtle shift of posture, she changed, becoming less showy and more dangerous about her beauty. Rue watched this, flabbergasted. How had she done it? Here was an acting skill Rue did not possess. Primrose, for most of their adult life, had used her appearance as if it were some delectable dessert. For the first time Rue realised that beauty might also be applied with power, like a particularly stinky but highly desirable cheese. Rue knew that she herself could never pass for anything more than cute. What does that make me in the after-dinner beauty metaphor? she wondered. The digestif? A sweet, alcoholic afterthought with possible vicious consequences.