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Chapters (34)
  1. Cover
  2. Project Hail Mary
  3. Acknowledgments
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. About the Author

I check the LCD screen taped near my bunk. Rocky is in the tunnel tapping on the divider wall.

“Computer! How long was I asleep?”

“Patient was unconscious for ten hours and seventeen minutes.”

“Oh crud!”

I wriggle out of my bedding and bounce up through the ship toward the control room. I carry the burrito and coffee with me because I’m starving.

I bounce into the tunnel. “Sorry! Sorry!”

Rocky taps the divider louder than before now that I’m here. He points to the Popsicle-stick numbers I taped to the divider and then to his clock. He balls one of his hands into a fist.

“I’m sorry!” I clasp my hands together as if praying. I don’t know what else to do. There’s no interplanetary symbol for supplication. I don’t know if he understands, but he unclenches his fist.

Maybe it was a mild admonishment. I mean, he could have made five fists, but he only made one.

Anyway, I kept him waiting over two hours. He’s understandably upset. Hopefully this next trick will make up for it.

I hold up a finger. He returns the gesture.

I grab my duct-taped laptops and launch the waveform-analysis software on one and Excel on the other. I press them against the tunnel wall and secure them there with tape.

I pull the Popsicle-stick numbers off the divider wall. They’re as good a place to start as any. I hold up the “I” and point to it. “One,” I say. “One.”

I point to my mouth, then back to the Eridian number. “One.” Then I point to Rocky.

He points to the “I” and says “♪.”

I pause the waveform analyzer and scroll back a few seconds. “There we go…” Rocky’s word for “one” is just two notes played at the same time. There are a bunch of harmonics and resonances in there, too, but the main frequency peaks are just two notes.

I type “one” into the spreadsheet on the other computer and note the relevant frequencies.

“Okay…” I return to the divider and hold up the “V” symbol. “Two,” I say.

“♪,” he says. Another one-syllable word. The oldest words in a language are usually the shortest.

This time, it’s a chord made of four distinct notes. I enter “two” and record the frequencies for that word.

He starts to get excited. I think he knows what I’m up to and it’s got him happy.

I hold up the “λ” and before I can even speak, he points to it and says, “♫♪.”