Chapters (34)
- Cover
- Project Hail Mary
- Acknowledgments
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- About the Author
I check the LCD screen taped near my bunk. Rocky is in the tunnel tapping on the divider wall.
“Computer! How long was I asleep?”
“Patient was unconscious for ten hours and seventeen minutes.”
“Oh crud!”
I wriggle out of my bedding and bounce up through the ship toward the control room. I carry the burrito and coffee with me because I’m starving.
I bounce into the tunnel. “Sorry! Sorry!”
Rocky taps the divider louder than before now that I’m here. He points to the Popsicle-stick numbers I taped to the divider and then to his clock. He balls one of his hands into a fist.
“I’m sorry!” I clasp my hands together as if praying. I don’t know what else to do. There’s no interplanetary symbol for supplication. I don’t know if he understands, but he unclenches his fist.
Maybe it was a mild admonishment. I mean, he could have made five fists, but he only made one.
Anyway, I kept him waiting over two hours. He’s understandably upset. Hopefully this next trick will make up for it.
I hold up a finger. He returns the gesture.
I grab my duct-taped laptops and launch the waveform-analysis software on one and Excel on the other. I press them against the tunnel wall and secure them there with tape.
I pull the Popsicle-stick numbers off the divider wall. They’re as good a place to start as any. I hold up the “I” and point to it. “One,” I say. “One.”
I point to my mouth, then back to the Eridian number. “One.” Then I point to Rocky.
He points to the “I” and says “♪.”
I pause the waveform analyzer and scroll back a few seconds. “There we go…” Rocky’s word for “one” is just two notes played at the same time. There are a bunch of harmonics and resonances in there, too, but the main frequency peaks are just two notes.
I type “one” into the spreadsheet on the other computer and note the relevant frequencies.
“Okay…” I return to the divider and hold up the “V” symbol. “Two,” I say.
“♪,” he says. Another one-syllable word. The oldest words in a language are usually the shortest.
This time, it’s a chord made of four distinct notes. I enter “two” and record the frequencies for that word.
He starts to get excited. I think he knows what I’m up to and it’s got him happy.
I hold up the “λ” and before I can even speak, he points to it and says, “♫♪.”