I’ve always made a close study of windows, and the most accessible windows in the opera house were in the aforementioned communal privies, which needed them for obvious reasons. I pounded down the corridor, swerved, banked, and crashed through into the fetid gloom of the men’s privy. One old gent had settled himself there with a flagon of wine, clearly feeling that breathing in the sewer stink was preferable to a seat closer to the stage. I ran straight past, climbed onto the rear throne, and tried to jam my head between the shutters. Normally they were propped ajar to offer sufficient ventilation to prevent the place exploding if one more overfed lordling passed wind. Today, like everything else since I got up, they seemed to be against me and stood firmly closed. I shook them hard. They weren’t latched and it made no sense that they wouldn’t give. Fear lent strength to my arm, and when the damn things wouldn’t open I ripped out the slats before thrusting my head through.

For a half second I just stood with that cool, slightly less fetid air on my face. Salvation! There’s something almost orgasmic about getting out from under a heap of trouble, winning free and thumbing your nose at it. Tomorrow maybe that same trouble will be waiting around a corner for you, but today, right now, it’s beaten, left in the dust. Cowards, overburdened with imagination as we are, spend most of our attention on the future, worrying what’s coming next, so when that rare opportunity to live in the moment arrives I seize it with as many hands as I’ve got spare.

In the next half second I realized that we were on the third floor and the drop to the street below seemed likely to injure me more grievously than Alain and his friends would dare to. I should perhaps puff myself up, brazen it out, and remind Alain whose damned father’s opera this was and whose grandmother happened to be warming the throne. No part of me wanted to bank on Alain’s common sense outweighing his anger, but an ankle-breaking drop into the alley where they flushed the shit . . . that didn’t appeal either.

And then I saw her. A tattered figure in the alley, bent over some burden. A bucket? For one ridiculous moment I thought it was another of those little boys lugging water for the tank. A pale hand lifted a brush; moonlight glimmered on what dripped from it.

“Jalan Kendeth, hiding in the privies. How appropriate.” Alain DeVeer, banging open the door behind me. I didn’t turn my head even a fraction. If I hadn’t taken care of business at the start of the intermission I would have rapidly filled the privy I was standing on by way of both trouser legs. The figure in the alley looked up and one eye caught the moonbeams, glowing pearly in the darkness. My shoulder ached with a sudden memory of the masked figure I’d barged into. Conviction seized me by the throat. That had not been a man. There had been nothing human in that stare. Outside the blind-eye woman painted her fatal runes, and inside, amongst the lords and ladies, hell walked with us.