A series of turns brought him to Narkiss Street. There were no parking spaces to be had, so he left the car around the corner and walked slowly back to his apartment beneath the protective awning of the eucalyptus trees. He had a bittersweet memory of Venice, of gliding home upon the silken waters of a canal and tying his boat to the dock at the back of his house.

The Jerusalem limestone apartment block was set back a few meters from the street and reached by a cement walkway through a tangled little garden. The foyer was lit by a greenish light and smelled heavily of new oil-based paint. He didn’t bother checking the mailbox—no one knew he lived there, and the utility bills went directly to an ersatz property management company run by Housekeeping.

The block contained no elevator. Gabriel climbed the cement stairs wearily to the fourth floor and opened the door. The flat was large by Israeli standards—two bedrooms, a galley kitchen, a small study off the combination living room and dining room—but a far cry from the piano nobile of Gabriel’s canal house in Venice. Housekeeping had offered to sell it to him. The value of Jerusalem apartments seemed to sink with each suicide bombing, and at the moment it could be had for a good price. Chiara had decided not to wait for a deed to make it her own. With little else to do, she spent much of her time shopping and was steadily turning the functional but cheerless place into something like a home. A new rug had appeared since Gabriel had been home; so had a circular brass coffee table with a lacquered wood pedestal. He hoped she’d bought it somewhere reputable and not from one of those hucksters who sold Holy Land air in a bottle.

He called Chiara’s name but received only silence in reply. He wandered down the hall to their bedroom. It had been furnished for operatives rather than lovers. Gabriel had pushed the twin beds together, but invariably he would awaken in the middle of the night to find himself falling into the crevasse, clinging to the edge of the precipice. At the foot of the bed rested a small cardboard box. Chiara had packed away most of their things; this was all that remained. He supposed the psychologist at King Saul Boulevard would have read deep analytical insight into his failure to unpack the box. The truth was far more prosaic—he’d been too busy at work. Still, it was depressing to think that his entire life could fit into this box, just as it is hard to fathom a small metallic urn can contain the ashes of a human being. Most of the things weren’t even his. They’d belonged to Mario Delvecchio, a role he had played for some time to moderate acclaim.