Primordial Soup
Contents ( 27)
- Dedalus Original Fiction in Paperback
- PRIMORDIAL SOUP
- CONTENTS
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- COPYRIGHT


Dedalus Original Fiction in Paperback
PRIMORDIAL SOUP
Christine Leunens was born in Hartford, Connecticut, the daughter of an Italian mother and a Belgian father. Her grandfather was the Flemish artist Guillaume Leunens. After graduating from the University of North Carolina at Chapel Hill she went to live in Europe with the intention of becoming a writer but ended up a fashion model, working for Givenchy, Pierre Balmain, Paco Rabanne, Nina Ricci and making tv commercials for Mercedes-Benz, Suzuki and the House of Fraser.
Her success enabled her to give up modelling for horse breeding in Picardy, where she wrote her first play in French, Tu N’As Qu’A and her second Porcelain White in English. She received an award from the Centre National du Cinema for her screenplay Maux D’Amour.
Christine Leunens now lives in Normandy and combines writing film scripts and fiction with the occasional modelling job.
CONTENTS
Title
Dedalus Original Fiction in Paperback
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Copyright
CHAPTER 1
“Eat, you!”
“But it won’t go down …”
“You jus’ put in de mouth an’ swallow!” my mother yelled.
I added another finger width of leprosy-stricken banana into my mouth and wished she’d stop staring at me like that. It joined the stagnant reserve which I moved from right to left to show her I was trying.
“I don’ wan’ to see de cherry.”
“De cherry,” to which she alluded was the pouch for storing unwanted nutrition in my left cheek. She seized it and twisted until the saliva-softened food seeped back onto my palate.
“How long i’ take?”
“I’m chewing.”
“You wan’ I count three??”
She had concluded there was nothing to chew. Leprous pus could, according to her logic and the laws of physics, slide down any inclined surface with ease. I wished it were the kitchen sink tube and not my own.
“One. Two …”
I drove my finger into the flesh and began to carve out the soft brown spots someone had the big idea to name bruises, all the while trying my hardest to stop imagining the banana was Mir’i·am’s forearm and what I was sapping were the undrained sores under her scabs. What I considered a bruise, my mother considered consumable flesh. The banana was drawn out of my hand and thrown in my face, which I turned aside in time.
In less than a week, I could not walk straight any more than could a drunken sailor. I complained to my mother about it; she measured my legs, told me to eat more. I was carrying in groceries, when I fell down and chipped my front tooth on the driveway. She left the papaya, the fennel and the half-priced bags of whole-wheat flour where they were, and checked my polio vaccinations.