Popular Longing
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Popular Longing
NATALIE SHAPERO
COPPER CANYON
PRESS
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Dedication
for Meg Shevenock
POPULAR
LONGING
Man at His Bath
Man at His Bath
Six years ago, the big museum sold eight famous paintings
to purchase, for unspecified millions,
Gustave Caillebotte’s MAN AT HIS BATH.
Now it’s hip to have a print of it,
and whenever I see one hung for decoration,
I’m almost certain that this is what Caillebotte
had in mind when he broke out the oils
in 1884: some twenty-first-century bitch in Boston
catching a glimpse of a framed reproduction,
recollecting a study about how washing oneself may induce
a sense of culpability. What I remember
is he insisted I clean before leaving. That, and he was
trying to be dreamlike. He took my jaw in his hand
and said IN THE NEXT LIFE, WE’LL REALLY BE TOGETHER,
and the clamp in his voice made me almost
certain he knew something I did not. Now I eat right,
train hard, get my shots. This life—I’m angling
to remain in this life as long as I can, being almost
certain, as I am, what’s after—
I do not like money, neither for itself
nor for what it can buy, as I want
nothing we know about.
René Magritte
My Hair Is My Thing
My Hair Is My Thing
The symphony’s out of funding again, and no
wonder: all those violins, the twisted strands
and sponges—who could not think
of torture? Last week I read a novel about a man
so awful that when he died I wept
because it was fiction. I wanted it to be real
so I could watch him really die.
I wanted you to die also, and to be feted
with a lengthy, organza-filled funeral,
so that I could make a big show
of blowing it off. I decided to go out
and get a tattoo of your funeral with me not there,
but apparently it’s illegal here to tattoo
a person who’s crying. The trend now
is to be interred with beloved possessions:
pearl-trimmed gun, gold watch,
whatever you’ve got. Some people recoil
at the waste of it, but not me. These contused little
objects of wealth—they’re disgusting. I just
pray we have earth and shovels enough. I pray
we have bodies enough to bury them all.
The Suggested Face for Sorry
The Suggested Face for Sorry
You and me—we are the opposite
of twins in an old story.
When I am in pain, you don’t feel it.
If I up and retch, you never guess.
The city laid out poison
along the tunnels and tracks, meant
for rats, and one day my dog ate some.
She was fine. I’ve never been
so jealous in my life. I want to do
the things we do to die,
and then just take off sprinting
in the steep ravine. In my dream,
I walk my dog and you cross
our path and she torques at you
and rears and snaps. She senses
you are wholly bad. They say animals
can tell, like with earthquakes.
You’re supposed to scan the classifieds,
searching for a sudden spike
in the number of missing pets. That’s
how you know to prepare. Maneuver
away from shelving. Crawl
to the nearest doorframe. Get out
of California. What are you waiting for.
Lying Is Getting
Lying Is Getting
to me. The high-ups instructed me not to tell their dad
about the particulates—the last
time he caught them polluting, he made them sit
themselves down right there and eat a whole smokestack.
I keep nodding when the city insists I stick
with the story of accidents—she was cleaning
her gun, he was cleaning the recessed
sign on the front of the passenger train, they were holding
hands and had a whole plan to clean
the concrete twenty-two stories below the ledge
of the mixed-use downtown
tower. To really make it shine. The party line
is getting me good. I keep turning
my face to the flashbulb in an effort to seem like someone
with no secrets, and now when I see other people
framed and beaming, I want to know what they’re keeping
in. All those holiday moments, tacked
to the fridge or strung up with wire and eyelets. All that sin—
Five by Seven
Five by Seven
Really, when people have photographs of themselves
displayed on their walls, I just assume
they have died and it is their ghosts
who’ve invited me over, their ghosts with whom
I’m sharing a meal, making small
talk about all the bodies and trash on Mount Everest.
Oh lacquered ghosts, so high on your own
finished triptych of fetes
and feats and the corresponding assurance
you go unforgotten—let’s
go out. From the recent restaurant
boom, infer a citywide uptick in rage-ravaged homes.
People want new spots to fight, to squall
and snipe, lose their appetites, be brought
the chalkboard special, not touch it,
see it whisked to the kitchen and scraped
out back for a dog to eat, but that’s cool—dogs
have to eat, too—
California
California
We often ate late by flameless
candles and took turns choosing
how best to be disposed of.
I want to be buried. I want everyone
to be buried. I realize there’s scarcely
a spare acre left in the ground, but I just
can’t do without the indecorous
transit from parlor to plot.
I need the array of daytime headlights
jolting the arid access road,
the only remembrance that matters.
Don’t make a speech.
For years I would wonder whether
the man who attacked me—
in his memory, did the event of it
persist as a dull sort of flash? Then
he died and became himself
just a flash in the mind of the world.
Now I wonder—is he anywhere?
I don’t believe in Hell and also I don’t
believe in nothing, so that leaves only
Heaven. I have a couple
questions. It is my understanding
that the weather in Heaven
has only a single setting,
which is PLEASANT. I haven’t
spent real time in California, but friends
of mine who’ve moved there
say it’s challenging, absent the changing
of the seasons, to remember when things
took place. With reference to always
the lodgepole pine and the low-bent
needlegrass, you get confused.
Dates and sequences, even the people
involved. You can almost imagine
the whole thing was somebody else.
A Space to Train and Exit
A Space to Train and Exit
Maybe California’s just plain easier,
with the commonness
of outbuildings. Raw-looking cedar or sheet
metal walls and a runnel
of sun getting in through the roof seams.
Position the heavy bag, tighten the eyebolt,
twenty-five right hooks. Or pull up
a chair and compose your suicide note.
A space to train and exit.
The purpose of having a body at all
is to practice, to practice
the keeping alive of domestic
animals and plants. You dispense to yourself
some minerals and water. You expose
yourself to the sun and it helps
you remember to do the same for those
in your charge. If you could equip
them with all they require, or make them
require nothing, you wouldn’t
need your body at all.
Magpie
Magpie
Unusual rain of late, and a new weed
that resembles concertina wire
is threading itself through the dirt.
Seeing it makes me think of never seeing it again,
how I will miss this upstart greenness
after I lose it all and am thrown
from this home, which will be soon.
It’ll be someone else living here then, hiding
an emergency key in a bucket,
up late snaking the bath drain or early
doing sit-ups on the painted floor.
It’ll be someone else walking a mile and a half
to the store called Magpie, buying
a gift for whichever friend’s baby, rattle
or small shirt with a transit map.
The name is meant to conjure up a gorgeous, inky
creature culling treasures to bring
back, but if you really get close
to a magpie’s nest, you see it’s all trash.
Tea
Tea
I can’t get away from it.
Felted-up reenactors shoving a great fake crate of it
into the Harbor and jeering.
After the tour group leaves, they fish it
back out and towel it off,
unbutton their waistcoats to smoke.
At the nearby counter-service place, there are two
jars next to the register, and dropping bills
into one or the other is how
we affirm our commitments—why should we ever
pay decently, unless it occurs
in this fever of rivalry that passes for fun?
What are our choices and might I suggest
LESS IS MORE against MORE IS MORE?
Or IT COULD HAPPEN ANYTIME against IT HAPPENS
ALL THE TIME? Or how about THIS VIOLENCE
FOREVER UNDOES A PERSON
against THAT CONTENTION CAN ONLY
BE ROOTED IN THE RETROGRADE
VIEW THAT A WOMAN IS EITHER INTACT OR SHE’S
NOT? I always thought I’d made
peace with THIS PLANET, and yet here I am
shoving all my cash in the jar
marked ANYPLACE ELSE. There isn’t enough
money in the world.
Have at It
Have at It
When you work here for ten years, you get
a blanket. The blanket has their name on it,
not yours. I am conducting an anecdotal
survey of longtime employees, and I have yet
to find one person who uses the thing
to keep warm. M reported placing it
between her children and the dirt
before they all sat down to a meal outside.
S recounted how she’d wrestled it out
of a half-stuck bureau drawer to wrap
her beagle’s body after he died.
She’d buried the dog herself, in her bloomless
little side yard, and registered
embarrassment when the meter reader
caught her there, intoning over the body
with a hymnal. But why should she be
embarrassed? It certainly can’t be beneath us
to bless our animal dead, when all
our scientists do all day is endeavor to prove
that great apes mourn, that elephants
mourn, that houseflies mourn, that when
a fiddle-leaf ficus succumbs, another ficus
keens in its earthenware. We would like to
confirm that everyone is recognized in death.
Unseen as we are in this life, it’s all we have.
Tomatoes Ten Ways
Tomatoes Ten Ways
On a lampless arc of interstate, playing
I DON’T SPY, the nighttime game
where you say what you don’t see and wait
for someone else to also fail to see it—
are we there yet? I just want to get
back now, back to my kitchen, back
to my peeler and ladle and electric
oven where decades of hands
have worn the temperature marks
clean off the dial—it’s always a guess.
Cooking is important. It prepares us
for how to sustain each other
in the emptiness ahead. A bread
for sharing, braided with strips
of garbage. A novel kind of starchy pie
baked over one tea light. Children,
today was sent here by the future
to beg you to think of this place
like a body—it might be yours
for now, but it is only a matter of time
before it buckles and kicks and ousts
you and sinks, like the very
body it is, right back to the ground.
They Said It Couldn’t Be Done
They Said It Couldn’t Be Done
So sorry about the war—we just kind of
wanted to learn how to swear
in another language, and everyone knows
the top method is simply to open
fire and listen to what people yell.
And now here’s God again with His hand
crank, lowering the sky to make more room
for Himself. And now here’s the high-rise
we build to brace back, this series of holes
for bathing and mending and parboiling
roots and undecorated fucking in the style
of the times: one person half-braying,
the other admonishing KEEP IT
DOWN—I DON’T WANT THE WAR TO HEAR.
It for Me
It for Me
Don’t worry. Wars are like children—
you create one, offer scant
effort, then call it botched as the years
accrue, go off and make
a new one with somebody else.
A chance to finally get it right.
People love stories of tyrants
expiring in prison, as though an entire
reign of thrown roses and feasts
on command might be somehow erased
by the precast concrete, the drain
in the center of the floor.
But it’s not like anyone gets some ideal
death—handshakes all around
and then snuggling in velvet, saying
THAT’S IT FOR ME! What matters
is what you do with your best
years. No one can take that away.
Sunshower
Sunshower
Some people say the devil is beating
his wife. Some people say the devil
is pawing his wife. Some people say
the devil is doubling down on an overall
attitude of entitlement toward
the body of his wife. Some people
say the devil won’t need to be sorry,
as the devil believes that nothing
comes after this life. Some people say
that in spite of the devil’s public,
longstanding, and meticulously
logged disdain for the health
and wholeness of his wife, the devil
spends all day, every day, insisting
grandly and gleefully on his general
pro-woman ethos, that the devil truly
considers himself to be an unswayed
crusader: effortlessly magnetic,
scrupulous, gracious, and, in spite of
the devil’s several advanced degrees,
a luminous autodidact. Some people
say calm down; this is commonplace.
Some people say calm down;
this is very rare. Some people say
the sun is washing her face. Some
people say in Hell, they’re having a fair.
Green
Green
I saw an image of Cleopatra being delivered
to Caesar in a rolled-up rug, just falling
from the rug, and at work I began to be worried
that others, and especially those in supervisory roles,
viewed me as green. Temperamentally inexpert.
I tried wearing crisper shirts, but it didn’t help.
So of course when all my friends began
to die, I found at last a means of proving
myself through inattention to their passing.
I refrained from sharing remembrances,
that time we pulled B’s ruined tooth
or when L and I hiked out to the obverse
side of the Hollywood sign. When colleagues
sought to console me, I offered only the stoic
rejoinder DEATH IS A PART OF LIFE.
I underwent my yearly performance assessment
and was prompted to name a task at which
I excelled. I responded TRULY KNOWING
THAT DEATH IS A PART OF LIFE, and when
they requested I then articulate a plan
for the coming year, I said SPEAKING LOUDER
WHEN STATING THAT DEATH IS A PART OF LIFE,
AND PERHAPS APPENDING AN AMPLIFYING
GESTURE. I returned to my desk and removed
my heels and capped my pen and called B’s mom
and told her about the tooth. She recounted
for me his younger years, mud covered or up to his
shoulders in the cold ocean. She said he had been
ready to die, that through his suffering he’d sworn it
several times. Though also he’d said several
times that he wasn’t ready. It was tough to know.
Totally under the Water
Totally under the Water
He knew, he said, he was dying
when for two straight weeks he dreamed of
trying to switch on a swing-arm
lamp that wouldn’t switch on. In baths
I’ve never gone—as they do in the movies,
to demonstrate crux and contemplation—
totally under the water, but if
I did, I would ponder the woman
flooring it into the cinderblock
wall from fifty feet away. I don’t think that image
comes from the movies. I think it comes
from the future. The future, with its color
palette of airport whites and its
unrushed glance, its involute
beckoning. I see it. I can see it. At least
somebody wants me.
Long Wedding
Long Wedding
Through it all—the usher’s nod, the Pachelbel,
the thousand psalms, the joke misplacing
of the rings—I waited for the pause
to acknowledge the few scattered uncles
and friends too ill to attend. I waited for the silence
and the KEEP THEM IN YOUR THOUGHTS.
And keep them in my thoughts I did—I thought
of them so much that I missed all the dancing, all
the sling-back twirls, the forced displays
of riotousness, the cake. I missed all the children
being instructed not to touch the begonias,
and the paper lanterns almost catching fire.
I missed the plastic chimney glasses, emptied
of their cocktails, being set on a table and swept
down into a bag. I missed the part where they
honeymooned in Lisbon. I missed it
when they bought the house with the mudroom
and the mansard roof. I missed it when they retired
somewhere placid. I missed their birthdays, every
year, and then I missed it when they died
and were buried in the dirt with their jewelry on.
I was still sitting there at the rented table,
in front of a single charred onion on a skewer,
thinking of all the guests who had to decline,
thinking of them in hospitals, attended to by loved
ones who had little to say aside from
I HATE HOSPITALS, but whose tenderness
still carried through. I was thinking of the times
I have attempted to exit my body. I was thinking
of how I’d had nowhere to go. I was wishing
for a smaller body hidden within my body,
a smaller site to which I might retreat.
I was wishing for a canny escape not only
from what is around us, but also from what
is pitiless and ambulant and tacky and can lodge
one layer beneath the surface layer of our very
skin. Only under that is where we are.
The Greatest Two Minutes in Sports
The Greatest Two Minutes in Sports
Brims and booze and paneled
rooms and paintings
titled GO MAN GO and PHARAOH
What explains
Have we coevolved with waste
and are we here
to be its forward vessel
How long until science
admits that we are worthless
except as carriers
Instinctively we nurse it, we pass it
down, we’re done
You Missed a Spot
You Missed a Spot
In movies, a noblewoman is always pointing
her ecru fingernail at a single
unexceptional floorboard, hissing at the servant
girl YOU MISSED A SPOT.
It’s supposed to be a peak humiliation—
the more acute the act of cleaning, the worse.
The more acute the working. The more acute
the ferrying of worth from one colossus to the next.
We’re like bees, just trying to eat,
and in the process conscripted into transport.
Did you hear the snowdrops are having a baby.
We don’t even know what a baby is.
Weekend
Weekend
Some people despise doing laundry, but I don’t
mind it, and I think we can all agree it feels so good
to engage in something you don’t
mind. To have a neutral feeling. My only two childhood
memories are hearing the song EVERYBODY’S WORKING
FOR THE WEEKEND and seeing the bumper
sticker THE LABOR MOVEMENT: THE FOLKS WHO
BROUGHT YOU THE WEEKEND. I gathered
the weekend is the portion of life that is understood
to matter. Now that I’m grown, I know that just means
sex. THE LABOR MOVEMENT: THE FOLKS WHO
BROUGHT YOU SEX. Though of course
there are other things to be enjoyed. I DON’T WANT
TO BE PITIED said my neighbor, after explaining to me
she hated her children—not children in general,
but just her own. Her idea of a weekend
is not being pitied. Is someone else having about her
a neutral feeling. Our neighborhood is overrun
with garbage, and the summer makes it reek,
which ruins the otherwise neutral
feeling I have regarding the sun and the sense
of it on me. It’s not that I think of myself as my own
child—it’s more that I think of my body
as an animal that, having been bred with abandon,
requires a human steward, like those dogs unable
to birth without assistance, without someone
snapping on gloves and boiling the kettle
and cleaning the cotton sheets like I’m doing now,
clipping them up to dry in the sun. It feels so good.
Stoop
Stoop
All I can think, when I catch the dog out by the stoop
with a rat in her mouth, is I THOUGHT IT WOULD
NEVER HAPPEN TO ME—
that’s what the rat, I say
to myself, must be saying, having surely borne witness
to how many other rats gnawed on by how
many herders and hounds and yet fancying, all
that time, herself immune. And don’t get her started
on the thorniest part—how the fact that it happens
so frequently means her misery’s nothing
special, how the moment of her truest trauma is also
the pinnacle of her own commonness, and it’s juvenile
to cry for the everyday—so get over
yourself, I say
to the rat, who squeaks each time the dog
bites down, sounding just like those rubber chew
toys, which I suddenly understand are made to make
the noise of something getting killed—
Flowers Would Have Killed You
Flowers Would Have Killed You
The river is heavy with phosphorus and scum.
It causes liver damage if ingested.
I don’t know exactly whose runoff it is, but so long
as they’re taking press photos with prizewinning
children and donating sizable
sums to the ballet, I take no issue. River’s yours.
Once I saw a guy struggling to talk his way out
of some base thing he’d done, and his underwhelmed
companion said to him FLOWERS
WOULD HAVE KILLED YOU? Now I say it
all the time. The councilman announces he’s sorry
for taking advantage of the district’s trust,
or the paper issues the mother
of all retractions, and I’m right there at the window,
readying myself for the knock and the spray
of larkspur and tea rose. You shouldn’t have.
The Lone Acceptable Application of Daylight
The Lone Acceptable Application of Daylight
is in the expression PUT A LITTLE
DAYLIGHT between you and what’s
troubling, set out moving,
distance yourself from the pharaonic
shade of the household names and the power
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