Back Point of Origin
Chapters (25)
  1. Cover
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“He’s quite enamored with all things Hollywood and has finagled his way into working with production crews for movies and photo shoots. You know Screen Gems studio is right here in town, and Claire’s minor was film studies. It was her dream to be an actress. Heaven knows, she was beautiful enough. Based on what she told me, she was doing a modeling job at the beach, for some surfing magazine, I think. And he was part of the production crew, the photographer, in this instance. Apparently he is accomplished in that.”

“You said he was in and out a lot,” Marino said. “Maybe he had other residences?”

“I don’t know anything more about him, really,” she replied.

Within an hour, the Wilmington Police Department had a warrant to search Newton Joyce’s property in the historic district, several blocks from the water. His white frame house was one story with a broken-pitch gable roof that covered the porch in front at the end of a quiet street of other tired nineteenth-century homes with porches and piazzas.

Huge magnolias darkly shadowed his yard with only patches of wan sunlight seeping through, and the air was fitful with insects. By now, McGovern had caught up with us, and we waited on the slumping back porch as a detective used a tactical baton to break out a pane of glass from the door. Then he reached his hand inside and freed the lock.

Marino, McGovern, and a Detective Scroggins went first with pistols close to their bodies and pointed to shoot. I was close behind, unarmed and unnerved by the creepiness of this place Joyce called home. We entered a small sitting area that had been modified to accommodate patients. There was a rather ghastly old red velvet Victorian couch, a marble-topped end table centered by a milkglass lamp, and a coffee table scattered with magazines that were many months old. Through a doorway was his office, and it was even stranger.

Yellowed knotty pine walls were almost completely covered with framed photographs of what I assumed were models and actors in various publicity poses. Quite literally, there were hundreds of them, and I assumed Joyce had taken them himself. I could not imagine a patient pouring out his problems in the midst of so many beautiful bodies and faces. On Joyce’s desk were a Rolodex, date book, paperwork, and a telephone. While Scroggins began playing messages from the answering machine, I looked around some more.