The peninsula was long, far longer than the last one. The sun began to set, and the buildings cast long shadows over the road. Kira watched as the stores turned to houses, the houses to apartments, and the apartments to forests of kudzu and narrow saplings. Just when Kira thought it was too dark to go on, Jayden called a halt and pointed to a run-down marina office. Skinny and Scruffy jumped out of the wagon and practically disappeared, melting into the shadows. Kira waited tensely, so nervous she even picked up the rifle again. She tried to speak, but Jayden hushed her with a motion of his hand. Minutes passed like hours, until a small light shone out from the windows of the marina. Jayden whistled softly, and Yoon flicked the horse’s reins, guiding them toward the building. The front wall had been solid glass, a showroom for fishing boats, and the opening was wide enough to drive the whole wagon into shelter. Jayden jumped out, and Gabe dropped heavily to the floor, keeping his eyes on the street behind them.

“One door in the back,” said Skinny, “and two windows too big to board up.”

“Let’s go,” said Jayden, and they disappeared into the back rooms. Haru started untying the gear, and Kira hurried to help—blankets and food, extra ammunition, even explosives. She hadn’t known about those. They handed them down to Yoon and Scruffy, and together they ferried it all into a back room with no other entrances. Last of all was the medical computer, a portable unit with its own generator, designed for fieldwork in undeveloped countries. Kira couldn’t remember what the old world looked like—the old days, when she was a child, when the wasteland she lived in was still “developed.” She thought about the maggots on the dog, crawling and eating and blind.

They tended to the horses, set a watch, and settled in for the night. Kira wrapped herself tightly in her blanket, not cold but still somehow freezing, teeth chattering in the darkness. Drifting through the air was a soft voice singing—Gabe, standing watch. His voice was low and sweet, surprising from such a large frame, and he sang an old song Kira’s teacher had sung sometimes at the school, about losing a love and hiding from the memory. It made her think of Marcus, and the last thing they’d said to each other. She loved him, or she thought she did, or she thought she used to. And yet every time he talked about being together, she couldn’t handle it.

Why can’t I talk to him? About the things that really matter? And why can’t he see that it’s not enough to just give up and wait for the end? How can anyone even think that?