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Contents (38)
  1. OVER MY DEAD BODY
  2. Jeffrey Archer
  3. Copyright
  4. Dedication
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. ACKNOWLEDGEMENTS
  36. About the Author
  37. Also by Jeffrey Archer
  38. About the Publisher

‘The three of us,’ said Jo, touching her stomach.

After a moment of realization, Ross leapt in the air, fell back down to earth, and said, ‘We’ll have to get married as quickly as possible.’

‘Why?’

‘My mother’s an old-fashioned Irish Roman Catholic who uses words like wedlock, illegitimate and bastard as if they were still in fashion.’

‘What will she say if she finds out I used to be a prostitute?’

‘It would be a far bigger problem if you were a Protestant.’

CHAPTER 17

‘THAT BRINGS US TO THE end of the tour,’ said the guide. ‘I hope you enjoyed it.’ A warm round of applause followed. ‘If you would like some mementoes of your visit, the shop on the ground floor is open, as is the café, should you require any refreshments. Do feel free to roam around the grounds, but please remember the gates will close at one p.m. today. Thank you.’

William and Ross followed the crowd out of the room, ignoring the shop and the café as they headed for the front door.

‘Keep moving,’ said William, as they strolled across a broad stretch of unmowed lawn towards a large clump of trees that overlooked the castle. ‘Observations?’ he asked, once they were safely out of earshot of any other visitors.

‘The Caravaggio’s still hanging above the fireplace in the dining room for all to see.’

‘What else did you notice about that room?’

‘A table had been laid for four. So they are clearly expecting Booth Watson for lunch,’ suggested Ross. ‘With or without his client.’

‘Security?’ said William, moving on.

‘Virtually non-existent. The smaller paintings are all screwed to the wall, and there’s only a rope barrier to prevent anyone getting too close to the pictures.’

‘Alarm system?’

‘Penfold, but years out of date.’

‘And what didn’t you see?’

‘Any security guards, which you’d find in every room if it were a public gallery and not a private house.’

‘Conclusion?’

‘His Lordship can only afford to employ the bare minimum of staff, which you can be sure Faulkner will clock,’ said Ross. ‘That’s assuming he turns up.’

‘That’s assuming he hasn’t already,’ said William. ‘Don’t forget the local police could only spare one constable to keep a lookout, 24/7.’

Ross didn’t comment.

‘However,’ continued William, ‘back to the dining room. What else did you notice?’

‘A minstrels’ gallery runs right around the upper level of the room.’

‘Access?’

‘A narrow spiral staircase leads up to it. The only security is a rope and a “No Entry” sign on the bottom step.’

‘Any other observations?’

‘There’s a large window directly opposite the Caravaggio that looks out onto the courtyard. You can probably see the front gate from up there.’

‘What else?’

Ross thought for a moment, but didn’t respond.

‘There’s a small Hamburg organ on the left-hand side of the minstrels’ gallery,’ said William. ‘Anyone hiding in the gallery wouldn’t be spotted from the dining room below.’

‘Is there room for both of us?’