Back Out of Body
Chapters (23)
  1. Cover
  2. Mini TOC
  3. Copyright Notice
  4. Dedication
  5. 1
  6. 2
  7. 3
  8. 4
  9. 5
  10. 6
  11. 7
  12. 8
  13. 9
  14. 10
  15. 11
  16. 12
  17. 13
  18. 14
  19. 15
  20. Epilogue
  21. Acknowledgments
  22. About the Author
  23. Also by Jeffrey Ford

“I just wanted you to see it. Tell me what you think. Tell me how I can warn the old man, if it’s not too late.”

She nodded. “I agree with your assessment of what you encountered.”

They reached the spot where Owen and Feit had stood the night before. Again, the lights were on in some of the rooms and music drifted out. “Barber, Adagio for Strings, Opus Three,” she said.

“You’re full of surprises,” said Owen as they crossed the street.

“I listen to classical music all day long,” she said. “It’s lovely, isn’t it?”

He nodded and then ascended the steps to the front door. Before he could take a breath, he and Melody were standing in the dimly lit foyer, peering down the hallway. They proceeded through the rooms. He told her that the mural adorning the wall in the children’s section of the library had supposedly been painted by the old man. She stopped walking when he said it, but then quickly continued as if she didn’t want him to catch her hesitation.

“What is it?” he said to her.

“Nothing really. Just sometimes, when you fall into a situation in the night world where coincidences stack up, it could be a warning of danger.”

“Are you saying that about this situation?” he asked as he stopped at the entrance to the next darkened room.

“No. That’s why I tried to hide my reaction to what you told me. There isn’t enough of a conspiracy of reality here to warrant it. I’m offering a heads-up for the future. I don’t want you to get lost in that mental morass. Stay clear. We have to help this poor guy.”

When they found the old painter in the same room Owen had encountered him in the previous night, he was sitting in the same chair, holding the brush so it hovered just above the canvas. He could be perceived to be conducting the music, much sharper in the room than it had been out on the street. With his free hand he was petting a tiny black cat that lay on the arm of his chair.

“Oh, Henry,” he said to the cat, gently scratched its head. “What do you think about this piece?”

The cat made a miniscule peeping sound, and Crenshaw said, “You always think I should add a small black cat. I’ve done five pieces with cats since you’ve come to stay with me.” He laughed softly.

“He’s adorable,” said Melody.

“I’m not really a cat fan,” said Owen.

“I meant the old man,” she said. “The cat is too obviously adorable to have to say anything.”