Back Our Woman in Moscow
Chapters (54)
  1. Cover
  2. Title Page
  3. Dedication
  4. Ruth
  5. One
  6. Lyudmila
  7. Ruth
  8. Iris
  9. Ruth
  10. Iris
  11. Ruth
  12. Iris
  13. Ruth
  14. Iris
  15. Ruth
  16. Iris
  17. Two
  18. Lyudmila
  19. Ruth
  20. Iris
  21. Ruth
  22. Iris
  23. Ruth
  24. Iris
  25. Lyudmila
  26. Ruth
  27. Iris
  28. Ruth
  29. Iris
  30. Ruth
  31. Lyudmila
  32. Iris
  33. Ruth
  34. Iris
  35. Three
  36. Lyudmila
  37. Ruth
  38. Lyudmila
  39. Ruth
  40. Sasha
  41. Lyudmila
  42. Iris
  43. Ruth
  44. Four
  45. Iris
  46. Author’s Note
  47. P.S. Insights, Interviews & More . . .*
  48. About the Author
  49. About the Book
  50. Q&A with Beatriz Williams
  51. Reading Group Guide
  52. Praise for Our Woman in Moscow
  53. Also by Beatriz Williams
  54. About the Publisher

He’s impressed, I believe, as most people are when they step inside the boardroom of the Hudson Modeling Agency. The room itself is nothing—just a big old committee table, the usual chairs of dubious comfort—but the view, my word. There’s this particular corner of the twenty-sixth floor that opens out unobstructed across the East River and all the way down to the Brooklyn Bridge, if you don’t mind a kink in your neck, and that wall is made of nothing but glass, glass, glass, cleaned regularly by a well-trained team of daredevils. Now, Sumner Fox isn’t the kind of man who betrays anything so vulnerable as an emotion. (In this, we are equals.) But he does walk across the width of the room and smash his fists into the pockets of his trousers and sort of roll up and down on his big flipper feet as he stares upon that stupefying expanse of metropolis.

I take the opportunity to stare him up and down. As I said, he’s a large fellow, not exceptionally tall but built like an Angus steer, all shoulders, square rawboned head on which a bare half inch of extremely pale hair bristles up like a field of mowed hay. No residual tail, thank God, but the position of his fists in his pockets strains the back flap of his jacket upward just enough to reveal a fine muscular bottom, which pleases me. You don’t go into my line of business without some appreciation for the aesthetics of the human form. Now that I consider the matter, I wonder if he allows me to inspect him on purpose.

Whether he means to impress me or to warn me, I don’t pretend to guess.

I know enough about these sorts of encounters to allow the other person to introduce the conversation. After I’ve looked my fill, I fold my arms across my chest and wait for him to address me. Which he does, after a minute. Pivots in a military manner and says—gravelly midsouthern baritone—“Miss Macallister. I do appreciate your taking the time to meet me like this, without a prior appointment.”

“I’m just a secretary, Mr. Fox. You don’t need an appointment to meet with me.”

“Just a secretary?” He actually smiles, displaying a set of neat white teeth. “That’s not the word on the street.”

“Oh? Which street is that?”

“Why, the street that says you run the whole show. That poor old Mr. Hudson is what you might call a puppet, and you’re what might be called a puppeteer.”

“Now, that’s just slander,” I reply. “But as it happens, I am a busy woman, and I like a man who gets right to the point. You were saying something about my sister? Has she perhaps made her whereabouts known to the world at last?”

“That’s an excellent question, Miss Macallister. Maybe you could answer it for me.”