Chapters (54)
- Cover
- Title Page
- Dedication
- Ruth
- One
- Lyudmila
- Ruth
- Iris
- Ruth
- Iris
- Ruth
- Iris
- Ruth
- Iris
- Ruth
- Iris
- Two
- Lyudmila
- Ruth
- Iris
- Ruth
- Iris
- Ruth
- Iris
- Lyudmila
- Ruth
- Iris
- Ruth
- Iris
- Ruth
- Lyudmila
- Iris
- Ruth
- Iris
- Three
- Lyudmila
- Ruth
- Lyudmila
- Ruth
- Sasha
- Lyudmila
- Iris
- Ruth
- Four
- Iris
- Author’s Note
- P.S. Insights, Interviews & More . . .*
- About the Author
- About the Book
- Q&A with Beatriz Williams
- Reading Group Guide
- Praise for Our Woman in Moscow
- Also by Beatriz Williams
- About the Publisher
Iris stares at a fishing smack, all by itself on the choppy Channel, beating off the leeward shore. In the liquid morning air, she can see every detail—the pure white sail against the blue water, the fisherman untangling his net in the stern.
“He’s the best man I’ve ever known,” she says.
THEY PUT GREGORY BACK in the pram, but instead of heading back to the house, they walk along the cliff path, talking for once. The ice—not broken, maybe, but cracked in a few places. Iris gathers her resolve and brings up Fox.
“You know he’s been in love with you for years,” Iris says. “Since he first started investigating you.”
Ruth’s voice registers disbelief. “Did he tell you that?”
“He didn’t have to. I just knew. Also, Fox was the one who suggested that extraction signal. That I send you a postcard when we were ready to leave.”
Ruth stares at the ground as she walks. The tip of her nose is bright pink. “Anyway, it doesn’t matter. They’ve got him now. They won’t let him go.”
“I wouldn’t be so sure. He has more value alive than dead. Propaganda. Or a spy exchange—they do that all the time. They only really execute their own people.” Iris glances sideways. “The best thing is to keep busy until there’s news. You’ll be headed back to New York soon, won’t you? You have your modeling business to run.”
“Actually.” Ruth kicks away a stone. “I got a cable the other day. It seems this new model of mine—name of Barbara Kingsley, you’d love her—she’s become such good friends with my dear old boss, helping him manage and all in my absence, she’s thinking she might do better behind the scenes than inside them.”
“Oh? How do you feel about that?”
Ruth squints at some object in the meadow. “I’m thinking I don’t know what I feel about anything anymore. Say, speak of the devil.”
“The devil?”
“Beauchamp.”
Iris turns her head. Philip angles toward them with the long, purposeful strides of a man who has serious news to communicate. Iris’s heart drops into her stomach. Beside her, Ruth stops and puts a hand on the edge of the pram.
“What is it?” Iris calls out, when he’s within earshot.
Ruth stands silent and colorless as Philip approaches. When he reaches them, she says in a harsh voice, “Is it Fox? Is he dead?”
Philip glances at Iris and hands Ruth the telegram in his hand. She snatches it and turns away to read it.
“Oh, Christ,” she whispers.
“What’s happened?” Iris says.
Philip stares at the side of Ruth’s cheek. “They’ve found him in Berlin. Dumped on a side street.”
“Oh, God.”