Back Our Woman in Moscow
Chapters (54)
  1. Cover
  2. Title Page
  3. Dedication
  4. Ruth
  5. One
  6. Lyudmila
  7. Ruth
  8. Iris
  9. Ruth
  10. Iris
  11. Ruth
  12. Iris
  13. Ruth
  14. Iris
  15. Ruth
  16. Iris
  17. Two
  18. Lyudmila
  19. Ruth
  20. Iris
  21. Ruth
  22. Iris
  23. Ruth
  24. Iris
  25. Lyudmila
  26. Ruth
  27. Iris
  28. Ruth
  29. Iris
  30. Ruth
  31. Lyudmila
  32. Iris
  33. Ruth
  34. Iris
  35. Three
  36. Lyudmila
  37. Ruth
  38. Lyudmila
  39. Ruth
  40. Sasha
  41. Lyudmila
  42. Iris
  43. Ruth
  44. Four
  45. Iris
  46. Author’s Note
  47. P.S. Insights, Interviews & More . . .*
  48. About the Author
  49. About the Book
  50. Q&A with Beatriz Williams
  51. Reading Group Guide
  52. Praise for Our Woman in Moscow
  53. Also by Beatriz Williams
  54. About the Publisher

BY THE TIME THE cigarette burns out, my heart’s resumed its ordinary cadence. I no longer feel the twinge of every nerve. I return to my desk and flip through the stack of telephone messages left there by Miss Simmons, ignoring all the beady sideways appraisals from every direction. I mean, I can’t blame them. Wouldn’t you be curious, too?

One by one, everyone returns to work. Herbert and I conduct a couple of interviews in his office, brand-new girls who show some real promise, maybe, even if the poor bunnies are hopelessly naïve in their brave red lipstick and their enthusiasm. We offer contracts to both, which they want to sign right away, God bless them. I tell them to take the paperwork home and read it carefully first. Don’t sign anything you haven’t read, I tell them, and they nod earnestly and stick the contracts in their pocketbooks.

By six o’clock, the office has cleared out. I help Herbert with his hat and coat and shuffle him out the door to the limousine waiting for him outside. While waiting for the elevator, I remind him of his dinner engagement and kiss his soft cheek good night.

The elevator arrives, Herbert steps inside, and I’m alone at last.

I return to the reception area and switch off the lights. The glow of an early summer evening pours through the windows. I’m due for dinner in forty-five minutes, and under ordinary circumstances I’d take the opportunity to walk the twenty-two blocks through this golden light. I’d set aside the worries of the day and enjoy the hubbub, the hurry, the joy of people headed home in weather like this—the way a summer evening can transform even dirty old Manhattan into a city of translucent wonder. Instead I duck into Herbert’s office and help myself to a glass of twenty-year-old single-malt scotch, no ice.

THERE ARE THOSE WHO claim that I slept my way to my current position, just outside the office of Mr. Herbert Hudson of the Hudson Modeling Agency, and I will allow there’s a grain of truth to that rumor, as there are to most.