Chapters (16)
Apart from my room, apart from my books, my albums, and my companion, Stephen’s apartment was glorious. Tara wandered naked among the clothes, the newspapers and magazines, the cushions and rugs. We were always on the floor, even to eat. Sandy wore white lipstick because she wanted to look like Juliette Gréco, and she listened to chansons while she read Camus. Lucie took our pictures without warning. Cheyne Walk was a strange mixture of velvet, William Morris, and some Victorian extravagance, like the obscene paintings Stephen collected, along with the classic hippie decoration of pashminas over lamps to dim the light, Moroccan hand drums, African masks, photos of Rimbaud, and architecture books. Stephen used to say that the tailoring of the time was the most exquisite since the Restoration, and I had to agree, especially when we were visited by David, a musician friend of Lucie’s who I thought was extraordinary, with his long blond hair and feminine blouses designed by Michael Fish. He was like a doll with strange teeth, so attractive that sex with him made me a little afraid—I didn’t want any infatuation with that boy. Once, I wrote his own name on his back, with ash, down his spine; there was something reptilian about David, even about his English teeth, what a national disgrace. That time, he started talking about mirrors, his fear of mirrors. I told him Borges’ story about the war of the mirror, how one day the silver was going to rebel and stop reflecting us, it would disobey and stop replicating our movements while we looked on, astonished and scared to death. And how the first thing that would appear, in the depths of the mirror, would be an unknown color, then the rumble of weapons and conquest. David sat in front of the mirror and looked for the color and I think he found it: he was on acid, as always and like all of us. He was afraid. Study, know, then dare; dare to will, dare to act and be silent!, I said, to soothe him. And he was soothed, and he fell asleep on one of Tara’s golden blankets, a blanket that was for Juan. We’re gathering his court, Stephen would say, the court of the golden god. When he comes to London, I thought, I’m going to wrap him in this blanket that smells of peaches. I missed him a lot but I never said so out loud. Secretly, I called him my Persephone. How can I get you out of hell? I can’t, I am one of the mistresses of hell, but hell has its corners, and we can rule there, rule and disobey. My grandfather used to read us Milton in the orchid garden, but Juan preferred Blake, and when he gets to London, I’m going to take him to see the Blakes at the Tate Gallery, and all the houses of the poets he likes.