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Chapters (50)
  1. Cover
  2. Dedication
  3. Prologue
  4. The Grand Masquerade Ball
  5. Five Months Earlier . . .
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. September 1936
  10. Chapter Four
  11. Chapter Five
  12. Chapter Six
  13. Chapter Seven
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. October 1936
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. November 1936
  30. Chapter Twenty-two
  31. December 1936
  32. Chapter Twenty-three
  33. Chapter Twenty-four
  34. Chapter Twenty-five
  35. Chapter Twenty-six
  36. Chapter Twenty-seven
  37. Chapter Twenty-eight
  38. Chapter Twenty-nine
  39. Chapter Thirty
  40. Chapter Thirty-one
  41. Chapter Thirty-two
  42. Chapter Thirty-three
  43. Chapter Thirty-four
  44. Chapter Thirty-five
  45. Epilogue
  46. A New Year
  47. Extract from Anton Du Beke’s next novel’
  48. Acknowledgements
  49. About the Author
  50. Letter from Author

Raymond took her by the hand to the dance floor and, while the other couples sailed past, he put his right arm around her waist and pressed his left palm against hers. ‘In your old world, you needed no man to lead. But perhaps you would do me the honour of allowing me to lead you tonight?’

They were already stepping together onto the dance floor, pivoting once as the rhythm of the music found them.

Grusinskaya smiled. ‘The body aches for it sometimes. To be on the stage again. Holding my arabesque. Turning a grand jeté. And yet . . . there are other enchantments in dance, are there not, Mr de Guise?’

Archie Adams had upped the tempo and the dancers’ bodies responded to the rhythm. Raymond looked into Grusinskaya’s eyes, and something in them seemed to thaw as the couple moved effortlessly into a quickstep, making their way in a succession of light hops and skips across the ballroom floor.

‘Where did you train, Mr de Guise?’

‘If I were to tell you, you would only be disappointed. There is no academy for the ballroom, madame. My body is not as trained as yours must have been, dancing ballet for the Bolshoi.’

‘And yet you were taught, were you not?’

‘I owe my dancing to a master of the arts. Georges de la Motte, a baron of France no less – and the best ballroom dancer I ever observed.’

‘You were his apprentice.’

‘I was his friend. But apprenticed to him also.’

The music swelled and soared. First the trombones took the lead, then the trumpets, until finally the saxophonist sailed into the song, his instrument filling the cavernous ballroom with its intoxicating sound. Raymond and Grusinskaya turned, crossed the dance floor, turned again – and, as they danced on, the edges of the ballroom seemed to fade away. Soon, though neither said a word, it was as if their bodies were one.

So lost in the dance was he that, at first, Raymond de Guise did not hear the shrieking on the edges of the dance floor. It was only when he turned past Hélène Marchmont and saw her eyes drawn to a place between the ballroom pillars that he looked up. Vivienne Edgerton was looming over a young lady sitting at one of the tables, Vivienne’s arm outstretched and her face open in a vulpine howl. ‘You!’ she seemed to be shouting. ‘You!’