Back One Enchanted Evening
Chapters (50)
  1. Cover
  2. Dedication
  3. Prologue
  4. The Grand Masquerade Ball
  5. Five Months Earlier . . .
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. September 1936
  10. Chapter Four
  11. Chapter Five
  12. Chapter Six
  13. Chapter Seven
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. October 1936
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. November 1936
  30. Chapter Twenty-two
  31. December 1936
  32. Chapter Twenty-three
  33. Chapter Twenty-four
  34. Chapter Twenty-five
  35. Chapter Twenty-six
  36. Chapter Twenty-seven
  37. Chapter Twenty-eight
  38. Chapter Twenty-nine
  39. Chapter Thirty
  40. Chapter Thirty-one
  41. Chapter Thirty-two
  42. Chapter Thirty-three
  43. Chapter Thirty-four
  44. Chapter Thirty-five
  45. Epilogue
  46. A New Year
  47. Extract from Anton Du Beke’s next novel’
  48. Acknowledgements
  49. About the Author
  50. Letter from Author

Soon, Raymond stepped back and Hélène, throwing a smile at Nancy – what does it mean? What’s she smiling at me for? – disappeared from the studio.

‘Shall we resume, mademoiselle?’

‘I don’t know,’ Nancy said. ‘I’m feeling—’

‘Whatever it is, feel something else,’ declared Raymond. ‘No embarrassment! No fear! Listen to the saxophone. That’s our own Louis Kildare playing. The greatest saxophonist to ever come up through the clubs.’

The music was extraordinary. Nancy had to admit that. All of the music Raymond had played for her had been extraordinary. The waltzes brought to mind pictures of decadent palaces. The quicksteps, more gay and fancy-free, made her feel like it was the height of summer, even as the nights drew in and October approached. The tango that was playing now was so exotic, it almost made her think she was a different person . . .

‘Where’s Miss Marchmont going?’ she asked, as if to change the subject. ‘She was wearing such an elegant fur.’

‘Not going,’ Raymond said. ‘Returning. The demonstrations begin anew tomorrow. There’s no rest for Miss Marchmont and me . . .’

‘Some of the girls, they say Hélène has a secret lover. That he charters planes and takes her to Paris and Milan . . .’ Nancy saw the way his face twisted as she spoke, as if trying to hide something, and caught herself too late. ‘Mr de Guise, have I said something out of turn?’

‘No, it’s not that. It’s just that . . . we all have secrets, Nancy. We all have stories. Even Maynard Charles himself, I shouldn’t wonder. Don’t you ever think . . . ?’ Raymond paused. He had a hand on Nancy’s shoulder and he was leading her around, taking classical hold again. This time, Nancy did nothing to resist. Their feet started moving together, a simple waltz around the room. Sometimes, she thought, it’s easier to talk when your body is moving. Dancing makes everything so much more . . . comfortable, somehow. ‘We live on top of each other here, don’t we? The Buckingham’s so big, but it can seem so small. The hotel director and the porters. The orchestra and the dancers. All you dozens of chambermaids! The garage mechanics and pages. There’s not one of them that doesn’t have a story – and here we are, all mingling together. The problem is, sometimes you want to keep your story to yourself. You must have a story, Nancy.’

‘I do,’ she said, ‘but there’s no secret in it. I’ll tell you everything, Raymond, if you like.’

He held her more tightly – then, suddenly loosening his hold, rolled her away from him, held the pose, and rolled her back tight to his body. ‘It isn’t about what I’d like. It’s about what you’d—’