Back Night Music
Chapters (48)
  1. Cover
  2. Dedication
  3. 1.
  4. 2.
  5. 3.
  6. 4.
  7. 5.
  8. 6.
  9. 7.
  10. 8.
  11. 9.
  12. 10.
  13. 11.
  14. 12.
  15. 13.
  16. 14.
  17. 15.
  18. 16.
  19. 17.
  20. 18.
  21. 19.
  22. 20.
  23. 21.
  24. 22.
  25. 23.
  26. 24.
  27. 25.
  28. 26.
  29. 27.
  30. 28.
  31. 29.
  32. 30.
  33. 31.
  34. 32.
  35. 33.
  36. 34.
  37. 35.
  38. 36.
  39. 37.
  40. 38.
  41. 39.
  42. 40.
  43. 41.
  44. 42.
  45. 43.
  46. Acknowledgments
  47. About the Author
  48. What’s next onyour reading list?

Mom had written back. That’s fantastic, sweetheart, let me know how it goes!

I reread her text three times on the bus ride home. And I pictured myself on the stage of the Met, singing Pamina, Susanna, Mimi to rapturous applause. I wouldn’t be making the river flow, I would be the water itself, story and song swirling into one.

It was better than any daydream I’d ever had before.

When I got back, Oscar was up at my house, eating cereal at the dining room table at four p.m. I glanced around to see if we were alone, then bent to kiss him. He pecked back, chewing, eyes locked on the bowl.

“You okay?” I asked, my mood starting to fizzle.

He nodded upstairs. “I had an argument with your dad. He’s gone now . . .”

“What?” I sat. This was a first. “Why?”

“Well, it started because the BBC included the Summer Symphony in a round-up of pieces debuting this season . . .”

The BBC. Good lord. They knew about him in England.

“A quick mention, which is great, it’s amazing, but . . .” Oscar rubbed the bridge of his nose. “They called it jazz-infused. ‘Rising prodigy Oscar Bell’s jazz-infused Summer Symphony, Amberley’s Lilly Hall’, etcetera. I . . .” He exhaled loudly, shoving the spoon so it sloshed the leftover milk. “I’m getting pretty fucking sick of this.”

I touched the band of his wristwatch carefully. “Sick of what?”

“You don’t see it.”

“Well . . .” I scratched my forehead. “Your piece is not jazz-infused.”

“Thank you!” He stood and paced in a circle. “Marty was trying to tell me it was.”

“What?” That surprised me. “The second movement.”

“Yes.” He leaned against the back of a chair, watching me.

“That’s bachata. I wouldn’t say that’s the same thing at all . . .”

“Yeah, but here’s the clincher.” He sat on the edge of the table. “The BBC hasn’t heard a note of this symphony. Nobody has! Either they were guessing or that’s the language from the press release Amberley sent out.”

“But why jazz? That’s so . . .” My body went stiff with the realization.

“And your dad . . . I love your dad, I do, but he started going on about Ravel and Copland, Gershwin, Bernstein—all these white guys who were influenced by jazz, like that’s supposed to negate this. I just . . .”

“Ugh. I’m sorry.”

“You seem happy.” His mouth smiled but his eyes didn’t. He looked tired. “I don’t want to spoil it.”

I pulled myself up to foist a kiss on him. “No, you should talk about this stuff with me. I always want to know what’s going on with you.”

“I . . . yeah. Thank you.” He took my outstretched hand and ran his fingers along it. “So where you been?”

“At a voice lesson.” My body jolted with the thrill of announcing it. “My first one ever.”