She wondered how this view would change with the seasons and found herself impatient to experience them all. Perhaps she’d never realized how badly she’d needed a place to herself, time to herself, until she’d found it.

With a sigh, Maggie moved away from the window. It was time to get down to work if she was to deliver the finished score as promised. She walked down the hall where the wallpaper was peeling and curled and turned into what had once been the back parlor. It was now her music room.

Boxes she hadn’t even thought of unpacking stood in a pile against one wall. A few odd pieces of furniture that had come with the house sat hidden under dustcovers. The windows were uncurtained, the floor was uncarpeted. There were pale squares intermittently on the walls where pictures had once hung. In the center of the room, glossy and elegant, stood her baby grand. A single box lay open beside it, and from this Maggie took a sheet of staff paper. Tucking a pencil behind her ear, she sat.

For a moment she did nothing else, just sat in the silence while she let the music come and play in her head. She knew what she wanted for this segment—something dramatic, something strong and full of power. Behind her closed eyelids she could see the scene from the film sweep by. It was up to her to underscore, to accentuate, to take the mood and make it music.

Reaching out, she switched on the cassette tape and began.

She let the notes build in strength as she continued to visualize the scene her music would amplify. She only worked on films she had a feeling for. Though the Oscars told her she excelled in this area of work, Maggie’s true affection was for the single song—words and music.

Maggie had always compared the composing of a score to the building of a bridge. First came the blueprint, the overall plan. Then the construction had to be done, slowly, meticulously, until each end fit snugly on solid ground, a flawless arch in between. It was a labor of precision.

The single song was a painting, to be created as the mood dictated. The single song could be written from nothing more than a phrasing of words or notes. It could encapsulate mood, emotion or a story in a matter of minutes. It was a labor of love.

When she worked, she forgot the time, forgot everything but the careful structuring of notes to mood. Her fingers moved over the piano keys as she repeated the same segment again and again, changing perhaps no more than one note until her instincts told her it was right. An hour passed, then two. She didn’t grow weary or bored or impatient with the constant repetition. Music was her business, but it was also her lover.

She might not have heard the knock if she hadn’t paused to rewind the tape. Disoriented, she ignored it, waiting for the maid to answer before she recalled where she was.