Back Nick and Charlie Save as PDF
Chapters (15)
  1. Title Page
  2. Epigraph
  3. One
  4. Two
  5. Three
  6. Four
  7. Five
  8. Six
  9. Advert for Solitaire
  10. One
  11. Two
  12. Author Biography
  13. Other Books By
  14. About the Publisher
  15. Cover

The common-room door swings open as Mr Kent, Deputy Head, strides into the crowd, followed by his usual posse: Miss Strasser, who is too young and too pretty to be any kind of teacher, and our Head Girl, Zelda Okoro (I’m not even joking – her name really is that fantastic). Kent is a sharply-angled sort of man most often noted for his startling resemblance to Alan Rickman, and is probably the only teacher in this school to hold true intelligence. He is also my English teacher, and has been for over five years, so we actually know each other fairly well. That’s probably a bit weird. We do have a Headmistress, Mrs Lemaire, who is widely rumoured to be a member of the French government, explaining why she never appears to be present in her own school.

“I want some quiet,” says Kent, standing in front of an interactive whiteboard, which hangs on the wall just below our school motto: Confortamini in Domino et in potentia virtutis eius. The sea of grey uniforms turns to face him. For a few moments, Kent says nothing. He does this a lot.

Becky and I grin at each other and start counting the seconds. This is a game we play. I can’t remember when it started, but every single time we’re in assembly or a sixth-form meeting or whatever, we count the length of his silences. Our record is seventy-nine seconds. No joke.

When we hit twelve and Kent opens his mouth to speak—

Music begins to play out of the tannoy.

It’s the Darth Vader theme from Star Wars.

An instant uneasiness soars over the sixth form. People turn their heads wildly from side to side, whispering, wondering why Kent would play music through the tannoy, and why Star Wars. Perhaps he’s going to start lecturing us on communicating with clarity, or persistence, or empathy and understanding, or skills of interdependence, which are what most of the sixth-form meetings are about. Perhaps he’s trying to make a point about the importance of leadership. Only when the pictures begin to appear on the screen behind him do we realise what is, in fact, going on.

First, it’s Kent’s face Photoshopped into Yoda’s. Then it’s Kent as Jabba the Hutt.

Then it’s Princess Kent in a golden bikini.

The entire sixth form bursts into uncontrollable laughter.

The real Kent, stern-faced but keeping his cool, marches out of the room. As soon as Strasser similarly disappears, people begin to tear from group to group, reliving the look in Kent’s eyes when his face appeared on Natalie Portman’s, complete with white Photoshop face paint and an extravagant hairdo. I have to admit, it’s kind of funny.

After Kent/Darth Maul leaves the screen, and as the orchestral masterpiece reaches its climax through the speakers above our heads, the interactive whiteboard displays the following words:

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