She’d even been able to be helpful to him. When he had told her he was looking for a patron, it was Mary who’d gone to Frank Master and asked him to look at his work. That had been five years ago, and Master had been a fine patron ever since—commissioning work, providing contacts—everything that an artist could hope for. And when he said he needed to get journalists to come to the opening of the exhibition, she’d even made Sean speak to some of the newspapermen he knew.

So now, finding Theodore pacing about in a rage, she got him to tell her all about it. And after she had looked round all the work and admired it very much, she remarked to him gently: “If you put Boss Tweed and Nast over there”—she pointed to a wall that had some spare space—“it wouldn’t look so bad.”

“I suppose you’re right,” he said grumpily.

“I wish you’d do it for me,” she said.

There was a good crowd at the opening that evening. Of course, everyone went to see the portraits of Tweed and Nast, but Frank Master proved to be right, for having done that, they were circulating round the rest of the show, and lingering over some of the best work too.

So after greeting his sister, and making polite conversation with all the people to whom the Masters introduced him, Theodore could almost relax. Almost, but not quite. For there was one person who had still to arrive. One person who was very important indeed. If he showed up.

The reporter from the New York Times. It was Sean O’Donnell who had promised that the fellow would come, but at seven o’clock there was still no sign of him. Nor at ten minutes past the hour. It wasn’t till nearly seven thirty that Master came to his side and murmured, “I think that’s him.”

Horace Slim was a quiet man in his thirties, with a thin mustache and sad eyes. He greeted Theodore politely, but though he wasn’t giving anything away, something in his manner suggested he was only there because he’d been sent and that, as soon as he had enough material for a short piece, he’d be gone.

And Theodore needed more than that. He made himself keep calm, though. He knew it was no good pushing too hard; one could only hope for the best. But he’d handled journalists before, and he was not without cunning. So, giving the man a professional nod, he said quietly, “I’ll take you round, Mr. Slim.”

The exhibition filled several rooms, and was arranged thematically. He’d already decided to start with the portraits, but not to go straight to Boss Tweed. He’d got some famous people, after all. Names that should give the journalist some useful copy.