The last conversation I had picked up on feed/ambient audio was:

Amena, her voice a worried whisper, said, “Are you sure it’s going to be all right?”

ART, whispering back to her on a closed feed channel and somehow managing not to sound sarcastic or menacing at all, said, Completely. The damage to its organic tissue and support structure is easily repaired. Some systems were operating at suboptimal parameters due to repeated energy weapon strikes. The restart should correct that.

I said, “Stop talking to my human.”

ART said, Make me.

I don’t know if I tried to make ART stop but that was when I lost all input again.

Now I was at 34 percent performance reliability and climbing steadily, lying on my side on ART’s medical platform. My jacket and deflection vest were gone and the surgical suite had cut away my shirt to get to the burned parts. I was sticky from all the leaky fluid and blood and parts falling off (yes, it’s just as disgusting as it sounds). But I didn’t feel nearly as bad as I had the last time I’d been here, when ART had altered my configuration.

ART. ART, you manipulative fucker.

Whatever was going on, there was nothing I could do about it now, and that just made me more furious. So I watched five minutes of episode 174 of Rise and Fall of Sanctuary Moon. Did that work? No, no, it didn’t.

Tentatively, I checked my inputs. (Tentatively, because I wanted to talk to a human right now about as much as I wanted to lose a couple of limbs and have a conversation about my feelings.) The drones I’d assigned to Amena had managed to survive. Following my last instruction to stay with her before they’d lost contact with me, they had adopted a tight circular formation a half-meter above her head. They had been collecting video the entire time I was out, and I ran it back to see what had happened.

I forwarded through the boring parts with Amena being upset because of the whole me-lying-in-a-pool-of-steaming-blood-and-fluid thing and Arada trying to tell her this actually wasn’t unusual for me, then the gurney arriving. (It was a medical assistance device, designed to either bring casualties to the MedSystem or to carry them off a damaged ship, so its power and functions were autonomous. It was sort of like a big maintenance drone, capable of a certain range of actions, built in the shape of a rack with expandable shelves and arms. How it had survived the purge of ART’s other drones, I don’t know. Unless the Targets just hadn’t known what it was when it was folded up in its inert state.)

It zipped in from the foyer, angled itself up the stairs, scooped me onto itself and clamped me down. (I hate being carted around like equipment, even though technically I am actually equipment.) As it started back down, Amena tried to follow it and Arada grabbed her arm. Looking up the way humans did when they were trying to talk to something they couldn’t see, Arada said, “Hello, your name is Art? Can you tell me if there’s anyone else aboard this ship?”