Chapters (32)
- Title Page
- Copyright Notice
- Dedication
- Epigraphs
- 1. Apollo
- 2. Jason
- 3. Marsilia
- 4. Crocus
- 5. Jason
- 6. Marsilia
- 7. Jason
- 8. Apollo
- 9. Marsilia
- 10. Crocus
- 11. Jason
- 12. Marsilia
- 13. Crocus
- 14. Apollo
- 15. Jason
- 16. Marsilia
- 17. Crocus
- 18. Jason
- 19. Marsilia
- 20. Apollo
- 21. Jason
- 22. Marsilia’s Pod
- 23. Crocus
- 24. Apollo
- Thanks
- Books by Jo Walton
- About the Author
- Newsletter Sign-up
I stepped back out of the church and walked around to the courtyard that led to the library. I didn’t need to interact with anyone so I hadn’t bothered to take a plausible disguise or find an excuse for visiting the library. I simply let the light flow around me and so became invisible. There were a few monks in the cloister. I sat down on the wall by the foot of the stairs that went up to Michelangelo’s intimidating entranceway—one of the projects he had managed to finish. The sun was coming down into the courtyard, my own familiar golden sunlight. The scent of blossom from the tree was heady. Here too the pillars and proportions were perfectly right. But although the library was open, there was no sign of Athene. I sat there for a while enjoying the sunlight and the scent and thinking. It was quiet in the cloister, with distant muted street sounds, and close by only the humming of bees and the occasional swish of a monk’s robe to disturb me. I didn’t disturb them at all. If anything, I’d have looked like a brighter patch of sunlight.
After an hour of waiting, I stepped outside time, and checked the courtyard at other times throughout the day. When I still couldn’t find Athene I tried the day before, in case, but the orange blossom wasn’t quite out, and she wasn’t there anyway.
I went up to the library—directly, stepping into that wonderful room from outside time, to avoid the effect of Michelangelo’s deliberately daunting staircase. I looked around. I was accustomed now to the library in the City, with its controlled temperature, electric lights, and all the books of the ancient world rescued from the Library of Alexandria in multiple neatly printed copies. But this was more moving—the high windows giving light to work, the patterned tiles on the floor, the wooden benches with the books chained to them and scholars sitting reading and working. The books themselves were mostly hand-copied texts, preserved through time, saved from the ruins, written out painstakingly. They lost Homer for a time, but they got him back. Ficino had worked here. They had the oldest and most complete copy of the Aeneid. These books were here because people had cared about them, individually, cared enough to copy them and pass them forward across centuries and civilizations, hand stretching out to human hand through time, with no surety that any future hand would be waiting to receive the offering. All the texts from antiquity that had survived the time between were in this room. But Athene wasn’t.