“That’s Spanish for Cover Your Ass,” Zavala explained.

Saxon tweaked the end of his mustache like a silent-film villain. “In that case, I’m glad you are here. If I foul things up, we can share the blame.” He switched off the pole lamps. “Gentlemen, we are about to prove that the Phoenicians reached the shores of North America centuries before Columbus was born.”

Austin slipped his fingers under the edge of the plywood. “Shall we?”

They carefully lifted the top plywood from the pile and set it aside, then removed the Gore-Tex and blotting-paper layers. The papyrus was about fifteen feet long, made up of individual sheets approximately a foot high and twenty inches wide.

The ragged-edged pages were amazingly intact. The papyrus was darkly splotched over much of the mottled brown surface. Script was visible in places, but much of the writing had blended in with the stains.

Saxon looked like a child who’d gotten a pair of socks for his birthday. “Damn! It’s covered with mold.”

His full-speed-ahead exuberance had crashed into a wall of reality. He gazed with stony eyes at the papyrus, then went over to a window and stared out at the bay. Austin wasn’t about to let Saxon come apart. He went into the kitchenette and poured three glasses of water. He came back, gave one to Zavala, another to Saxon, and raised his own.

“We haven’t toasted the man who gave his life to bring this papyrus up from Davy Jones’s locker.”

Saxon got the point. His disappointment was nothing compared to the fate of the diver who had found the wreck and salvaged it. “To Hutch, and his lovely widow,” he said to the clink of glasses. They gathered once more around the papyrus.

Austin advised Saxon to focus. “Ignore the writing for now, and tell us about the physical qualities of the papyrus.”

Saxon picked up a magnifying glass and peered through the lens.

“Papyrus was made from giant sedge plants native to the Nile region,” he explained. “These sheets are of the best quality, probably made from slices that came from the heart of the plant, pounded and shaped into strips that were cross-laminated. The ink was of excellent quality as well. The glue was starch based. They used pigment and gum, and wrote with a reed pen, which gives the writing its run-on, unbroken look.”

“Now, tell us about the script,” Austin said. “It’s definitely Phoenician?”

Saxon calmly appraised the papyrus. “No doubt about it. The Phoenician twenty-two-letter alphabet was the single greatest contribution their culture gave to the world. The word alphabet itself is a combination of the first two letters. Arabic, Hebrew, Latin, Greek, and eventually English all trace their ancestry to the Phoenicians. They wrote from right to left, continuously, because they used all consonants. Vertical strokes act as punctuation to divide sentences and words.”